On the floor, Waltz is Ryugujo’s first anime theme — an vital milestone for any J-pop group. Nevertheless, the track is significant in different methods as properly. It’s been introduced that this would be the last Ryugujo track written by their producer and mentor Avu-chan. This information elicited and honest-to-god gasp from me after I learn it. It’s onerous to think about what Ryugujo are with out Avu-chan’s pen. Their work to date has been tied intently to this sound and has made them extremely distinctive. Can they maintain this idiosyncrasy going ahead? Or, will they push additional into the mainstream?
Whereas we await that reply, we now have the darkish and emotional Waltz. This track feels very very like a farewell of types, and the dance-themed idea is sensible. This debut part of Ryugujo began with a Rondo and ends with a Waltz. As ever with this group, the track improves once you see its accompanying visible and the way in which by which the fellows categorical the music. Waltz is definitely not some catchy pop bauble, however it unfolds with a dramatic weight that’s onerous to look away from.
The members’ distinctive tones are put entrance and heart with minimal manufacturing. The verses are sparse and haunting and simply tough sufficient across the edges to turn out to be fairly affecting. This works properly to arrange the layered, theatrical refrain. The track performs with distinction all through, usually pulling its punches proper earlier than delivering a knockout. In relation to Ryugujo’s glorious catalog, that is unlikely to ever be the track I rush towards first, however its searing, uncooked sound looks like an important piece of their musical journey.
| Hooks | 8 |
| Manufacturing | 8 |
| Longevity | 9 |
| Bias | 9 |
| RATING | 8.5 |
Grade: B
