UK alt-rock sister duo Child Stated explode onto the scene with BS, a ferocious and unapologetic debut filled with roaring guitars, biting lyrics, and pure emotional fireplace. Having delivered a daring, no-holds-barred soundtrack to talking up and standing tall, Veronica and Jess Pal take us track-by-track via their high-voltage album, unpacking every track’s energy and goal with intimate insights and cheeky wit.
Stream: “Hate Me” – Child Stated
Yes it’s named ‘BS,’ however this album is something BUT.
The music is loud. It’s uncooked. It’s turbulent. It’s ROCK. Child Stated’s debut album doesn’t ease you in or ask permission – it kicks down the door with a scream and a guitar riff, then dares you to not really feel one thing. BS is an eruption: Of energy, of ache, of defiance and demand.
Throughout seven fiery tracks, the Portsmouth-based sister duo confront self-doubt, disgrace, poisonous relationships, and inner darkness head-on, wielding overdriven guitars and unfiltered vocals as each weapon and lifeline. It’s a report constructed for anybody who’s ever felt silenced or stepped on – a rallying cry for reclaiming your voice, your house, and your price.
Each time you’re
speaking right down to me
Trigger you want a lift
in your self worth
You may’t management your jealousy
Effectively you’re ego was
by no means mine to feed
You need it, you want it
However I’ll at all times be undefeated
You’ll love me
Oh I’ll make you hate me
So to’t shake me
I’m gonna get you all in your head
Make you remorse so get f*ed
– “Hate Me,” Child Stated
Launched March 7th by way of their very own label Pal Data, BS marks a significant milestone for Child Stated – the debut full-length from a band that’s spent the previous few years incomes their stripes gig by gig, chord by chord. Hailing from Portsmouth, UK, Italian/Punjabi sisters Veronica (20) and Jess (18) Pal have been making music collectively for many of their lives, busking on the streets, forming a covers band, and taking part in over 250 reveals throughout the UK earlier than ever dropping a single unique observe. That grind paid off: With BS, they ship a report as lived-in as it’s ferocious – a pure extension of the uncooked, high-octane sound they honed onstage. Co-produced by Patch Boshell and Steven Battelle (who additionally co-wrote three tracks), the album blends grit and precision, pairing unfiltered emotion with the tight, dynamic musicianship of a band who already know precisely who they’re and what they stand for.
As relentless as it’s, BS doesn’t simply blow off steam – it channels it.
The album is exhilarating in its power, however what offers it endurance is its goal. Each scream, each riff, each razor-sharp lyric is rooted in one thing deeper: A need to reclaim house, to talk out, and to spark one thing within the folks listening. “Our album is about us discovering the facility in our voice and talking up,” Child Stated inform Atwood Journal. “We would like the lairy guitars and messages to empower others and encourage them to additionally converse up about their very own experiences and maybe create connections with new individuals who could relate.”
That message was clear from the very starting: Child Stated went into the studio with a imaginative and prescient for BS – “lairy” guitars, unapologetic vocals, and lyrics that hit exhausting and elevate others up. Working with Boshell and Battelle, they constructed a sound that helps the tales they’re telling: Loud, lean, and unflinching. “BS” is perhaps a cheeky nod to the band’s initials – and an inside joke they discovered “very humorous” – however beneath the playful title is a full-bodied introduction to all the things Child Stated stands for. “It encapsulates our emotions we’ve had on our musical journey to this point,” they clarify, “and represents who we’re, our life experiences, and what we stand for.”
Lairy. Highly effective. Energetic. That’s how Child Stated sum up their debut, they usually’re not improper. BS explodes with the form of high-octane power and uncooked, no-f*’s-given angle that remembers the bratty brilliance of Avril Lavigne, the wit and chunk of Moist Leg, the theatrical aptitude of The Final Dinner Get together, and the alt-pop punch of The Aces. It’s a sound that doesn’t ask for house – it takes it – mixing traditional rock instincts with trendy edge and unapologetic emotion. Whether or not they’re snarling or hovering, Child Stated be sure to know precisely how they really feel, they usually make rattling certain you are feeling it too.
From the stinging sass of “Candy Speak” to the throat-ripping ferocity of “Hate Me,” BS is bursting with anthems that don’t maintain again.
“Candy Speak” opens the album with a sneer and a shrug, focusing on late-night liars and half-hearted flirts who discuss huge and ship nothing. “We’re simply attempting to have some enjoyable,” they sing, realizing full properly how shortly that phantasm breaks. The observe balances its sharpest strains with a playful twist: “Began on Monday and it ended on Friday / ‘Trigger we received bored on the fourth and the fifth was a refined goodbye.” It’s charming, savage, and effortlessly cool – the form of opener that struts as a lot because it stings.
On the brash bruiser “Imply Girlz,” Child Stated commerce candy for spiky, taking goal at conformity and cruelty with a burst of bratty, pop-punk brilliance. “This track is about not being ashamed of our variations,” they clarify. “The ‘Imply Girlz’ are boring anyway – thank God we’re no copycats.” That rallying cry pulses via each hook, from the biting sarcasm of “That’s so fetch” to the unshakable defiance of “Thank God I’m not you.” It’s pure fireplace for anybody who’s ever felt pushed to the sidelines – a banger that dares you to face out louder.
“123” is perhaps probably the most deceptively catchy observe on the album – a brilliant, bouncy, tightly-wound takedown of poisonous management and possessiveness. “It’s about realizing this individual is just not good,” they are saying, “regardless of others considering that they’re – and having the power to say no.” Over pounding drums and a singalong-ready refrain, they challenge warning after warning: “Now I’m providing you with the rely of three / Transfer away, it’s your final warning.” The lyrics punch via with readability and confidence: “You’re not particular, simply delusional / Residing life prefer it’s fictional.” “123” is charming, charged, and deeply empowering – pop-punk with a spine.
Then there’s “Hate Me” – a scorched-earth anthem that dials all the things as much as eleven. Jess Pal explains, “It’s about going through the negativity and rejection we’ve skilled and channelling that frustration into one thing highly effective. We’re telling the world we’re not going anyplace, it doesn’t matter what anybody thinks.” From the very first verse – “Each time you’re speaking right down to me / ‘Trigger you want a lift in your shallowness” – the observe seethes with fury and self-possession. The refrain is constructed to burn: “You’ll love me? Oh I’ll make you hate me / So you possibly can’t shake me.” It’s loud, savage, and unforgettable – the sound of somebody strolling via fireplace and popping out stronger.
“Useless to Me” delivers one more intestine punch – an impulsive, no-apologies anthem for drawing the road and never trying again. It’s about that ultimate snap, when somebody crosses into your online business one too many occasions and will get reduce free with out ceremony. The guitars rip, the vocals seethe, and the emotion by no means wavers. It’s catharsis in its purest kind – the sound of selecting your self, even when it’s messy.
For Child Stated, a number of moments on BS rise above the remainder. The riff in “Useless to Me” is a selected favourite – a jolt of adrenaline that kicks the observe into overdrive – however it’s the aching, pressing ending of “Take Every thing” that they return to most. “The determined guitars on the finish are so stuffed with emotion,” they share. That track, a slow-burning reflection on giving an excessive amount of and getting nothing again, comprises certainly one of their favourite lyrics on the complete album: “If you’re wanting, I’ll give my all.” It’s a line that sums up each the heartbreak and coronary heart behind all the things they make – a reminder that this band offers nothing lower than all the things.
BS is a uncommon debut: Absolutely shaped, fiercely felt, and sonically fearless.
There’s not a single throwaway second right here – no filler, no fluff. Each observe comes armed with one thing to say, and Child Stated be sure to hear it loud and clear. It’s the form of report that shakes you out of your stupor and reminds you why rock issues – why quantity, vulnerability, and voice nonetheless imply one thing. As they put it greatest: “All of us have a voice, so don’t be afraid to make use of it!”
Expertise the complete report by way of our under stream, and peek inside Child Stated’s BS with Atwood Journal as Veronica and Jess Pal take us track-by-track via the music and lyrics of their debut album! No filler, no fluff — simply straight-up BS, the best way it’s meant to be.
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:: stream/buy BS right here ::
:: join with Child Stated right here ::
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Stream: ‘BS’ – Child Stated
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Candy Speak
“Candy Speak” is about ready on somebody who is just not well worth the wait, what makes you numerous very nice guarantees, however you understand they’d by no means observe via. You realise you had been simply entertaining an thought and don’t must waste your time.
Imply Girlz
“Imply Girlz” is concerning the folks normally who disgrace others for being totally different. This track is about not being ashamed of our variations and celebrating it because the ‘Imply Girlz’ are boring anyway so thank god we’re no copycats.
123
“123” is a few possessive individual with the mindset of ‘if i can’t have you ever, nobody else can’’ and in an effort to maintain it that approach, they attempt to management and intervene in any alternative it’s important to discuss to anybody else. It’s about realising this individual is just not good, regardless of others considering that they’re and having the power to say no.
Burn
“Burn” is concerning the battle of psychological well being points. It’s for everybody who looks like they’re alone and who looks like they don’t seem to be sufficient. It’s a track of hope to indicate you there may be mild on the finish of the tunnel. It’s primarily based off what others, like my household, have instructed me however I by no means believed so I wished others who’re struggling to listen to it in case nobody has instructed them.
Hate Me
“Hate Me” is about individuals who deal with you badly, for instance, making your achievements really feel inferior and attempting to embarrass you in entrance of different folks to make them really feel higher about themselves as a result of in actuality they’re consumed by the truth that others may discover you extra attention-grabbing and thrilling than them. Due to this fact, by placing you down it makes them really feel superior. This track reveals that regardless of their efforts, I do know myself and there may be nothing they’ll do or say to vary that, moreover, doing properly is one of the best form of revenge. In the event that they need to hate, I’ll give them one thing to hate.
Useless to Me
“Useless to Me” is about when somebody steps over the road and really feel they’ve the suitable to share their opinion on your online business. It is usually concerning the impulsivity of wanting to chop folks out of your life as quickly as they cross the road, with out a second thought.
Take Every thing
“Take Every thing” is concerning the feeling of passing via life carrying a gray lens. It’s about feeling such as you’re giving your all while others are simply taking and regardless of all of your effort, no matter you do is rarely adequate. “Take Every thing” reveals the exhaustion of attempting for others though they’re abandoning you.
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© Lawrence Hughes
an album by Child Stated
