Chamber music with a distinction, and a message that resonates with Earth Month — that’s the idea behind the subsequent live performance offered by The Chamber Music Society of Mississauga, which options the ensemble Kuné. Their live performance program titled Common Echoes takes its inspiration from the 4 pure components: earth, fireplace, air, and water, and takes place April 10.
Kuné is made up of ten immigrant musicians from everywhere in the world, and one Metis-Canadian, making a wealthy base of traditions to attract from in creating unique music. Common Echoes is the title of their 2023 album.
Kuné
Kuné was fashioned in 2017 as the results of an initiative by The Royal Conservatory of Music. Govt Director of Performing Arts Mervon Mehta selected the ensemble’s 11 performers with a view to celebrating the cultural range of Toronto, and Canada. Its members hail from nations as widespread as Peru, Burkina Faso, China, and Iran, bringing their very own musical traditions and practices collectively to create a really distinctive sound.
The ensemble recorded their first album with the RCM. In 2021, they grew to become unbiased, and launched their second album on the Lulaworld label in 2023. They’ve carried out at Koerner Corridor, the Nationwide Arts Centre, the Nationwide Music Centre, and on the Ness Creek, Hillside, and Sunfest music festivals, amongst others.
Collectively, the members compose and organize music that comes from a way of experimentation and play, and fixed dialogue.
Its members are:
- Ahmed Moneka, darbuka, vocals
- Aline Morales, vocals, percussion, vocals
- Demetri Petsalakis, guitar and oud
- Alyssa Delbaere-Sawchuk, violin
- Dora Wang, dizi, xiao & alto flute
- Salif “Lasso” Sanou, vocals, djembe, n’goni, peul flute and tama
- Luis Deniz, alto saxophone
- Matias Recharte, drums & percussion
- Paco Luviano, double bass & electrical bass
- Padideh Ahrarnejad, tar
- Selcuk Suna, vocals, clarinet & tenor saxophone
We spoke to Matias Recharte concerning the ensemble and the music.
Water, Half III
Matias Recharte: The Interview
The Common Echoes program and its music goes again just a few years.
“This mission it began again after we have been nonetheless on the Conservatory in 2018,” Matias remembers. “We have been commissioned to do a set.”
The music, which targeted on the 4 components of earth, fireplace, water, and air, was composed, organized, and even carried out dwell over the course of a few years.
“After which the pandemic occurred,” he laughs.
Whereas the lockdowns have been in place, nonetheless, it gave the ensemble the time and alternative to use for funding that was then changed into their 2023 album, Common Echoes. Musically, the 4 components theme advanced into reflection on the local weather disaster.
“All of us come from totally different locations and we come from everywhere in the globe,” he factors out. The scenario presents various however associated views on the atmosphere and its points. For some areas, oil spills are frequent. For others, it might be drought. However, there are additionally commonalities, the “Echoes” that resound all through the world, and the music.
“It’s just a little bit like an ode to those issues that hold life going.” The opposite aspect of the coin is mourning for what has been misplaced.
The music has been a part of their repertoire for just a few years. “We’ve been enjoying a few of these songs for some time,” he says.
It’s additionally about Earth Day. “We’re additionally celebrating that.”
The Music
Style-wise, Kuné’s music is basically undefinable.
“It’s onerous,” he begins. “One of the best ways to explain it’s, it feels like Toronto just a little bit.”
The ensemble’s music particularly tries to keep away from approaching the label of an “African music” a “Center Jap music”. “However all these components are current,” Matias says. One of many songs, for instance, is sung in each Portuguese and Arabic.
It’s about bringing the assorted components collectively in a musical dialog. Over time, that course of itself has resulted in several instructions, and the musicians studying from one another.
“We’ve advanced rather a lot,” he says.
“It sounds natural, in a bizarre means,” Matias provides. “It’s actually making an attempt to seize that have.” It’s one thing each Torontonian, or anybody who lives in a various metropolis, can relate to. Everybody comes from a unique background.
“What occurs once you put them collectively?”
World music, rightly, is passé as a time period these days. “World music. […] It’s like a little bit of a safari. We’re making an attempt to keep away from that,” he says.
It’s actually simply music that comes from the realities of coming to a brand new nation as an artist. Who do you get along with first? Clearly, different musicians.
“Once I arrived […] I used to be very curious,” he says of his personal expertise. Getting along with different musicians was a pure early step, lengthy earlier than Kuné. “It’s actually sharing.”
He’s seen that lots of the individuals who will come as much as band members to speak after reveals are additionally immigrants. They’ll acknowledge acquainted features of the music, even outdoors the same old context, and even outdoors their very own backgrounds. “There’s one thing that sounds acquainted.”
“Music doesn’t care about borders,” he notes. All the identical, there are few alternatives outdoors international music festivals to see that form of true cross-cultural experimentation on stage. The traditions survive largely intact in immigrant communities. Whereas he appreciates the nostalgic enchantment, it may well’t be the one path for the music — one which doesn’t take into modernity or evolution under consideration.
The angle of immigrant musicians, he factors out, is exclusive. After bringing your traditions and established practices, you now cross paths with others who come from nearly anyplace on this planet. It’s simply one other side of adapting to the brand new atmosphere.
“What now, that we’re all right here?”
Honouring your roots whereas reaching out to the remainder of the world expands the boundaries of the artwork kind, as he factors out.
“As soon as individuals hear it, they usually see it, they’ll get it,” he says, and factors out, “Even for those who’ve been right here for generations, your neighbours come from in every single place.”
Performances
Kuné’s efficiency calendar is pretty relaxed, given its bigger measurement, and the truth that a lot of its members have excessive profile careers on their very own, together with Brazilian-Canadian percussionist and singer Aline Morales and rising star within the worlds of theatre, movie, and musician Ahmed Moneka.
“That’s how we prefer it.”
Sometimes, earlier than any present, the ensemble will precede a present with a free preview and neighborhood outreach.
- Six of the members will likely be performing a free live performance as a preview of the Common Echoes program on the Meadowvale department of the Mississauga Library on April 5 at 11 a.m. Admittance is first come, first served.
- Discover out extra concerning the April 10 live performance [HERE].
- They’ll be taking the identical program on the street to Huntsville, ON (July 11), and Path, BC (July 24), with dates via the 12 months, together with Quebec and St. Catharines, ON. Discover extra info [HERE].
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Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.
