Marilyn Manson/ex-Rob Zombie bassist Piggy D has introduced the debut present from his upcoming Religion No Extra and GWAR tribute band, FNG (Religion No GWAR). Members of South Central Los Angeles, CA-based thrashers The Lords Of Sin are becoming a member of him on this endeavor, which can hit the Whisky A Go Go in West Hollywood, CA on June twenty fifth.
That present received’t be the one reside debut to transpire that night time, as Verona On Venus, the outfit led by ex-DevilDriver guitarist Mike Spreitzer, may even be making their reside debut that night time as a co-headliner. Verona On Venus have additionally added Contracult‘s Travis Bacon (and likewise the son of actors Kevin Bacon & Kyra Sedgwick) as their new bassist, whereas drummer Austin D’Amond (Chimaira, and many others.) and guitarist Lucas Kanopa spherical out that lineup.
Talking on launching clown automobile mechanic-themed tribute band to Religion No Extra & GWAR, Piggy D said:
“A few years in the past I wrote a satirical/musical brief that I wished to provide a couple of working class storage band that makes use of this particular music to vent their each day frustrations about slugging it out in fashionable society. This present would be the uncooked reside efficiency of that fictional band. It’s fairly removed from being an precise tribute or cowl band. As an alternative, I name it a “musical repurposing”. In in the present day’s local weather, it’s a renewed excuse to rock out and have amusing at how ridiculous and weird life is.
Our gig can also be throughout “June Gloom”, which is a extremely good time for cupcakes and birthday hats. You must come. That is probably the most insane artwork mission I’ve ever tried and we’ll debut it at a particular one-night-only occasion on the Whisky.”
That occasion itemizing additional promised the next of Religion No GWAR‘s set:
‘FNG is a chaotic fusion of grease, rage, and absurdity, a band of disgruntled clown automobile mechanics who channel their working-class frustrations by way of blistering covers and twisted reinterpretations of Religion No Extra and GWAR anthems. Clad in oil-stained overalls and smeared clown paint, they remodel shop-floor grievances into cathartic, theatrical performances, welding satire and aggression into each riff.
Their sound is a manic collision of steel, punk, and unhinged circus power—an explosive center finger to the soul-crushing grind of recent labor. When the engine received’t begin, the boss received’t pay, and the world seems like a rigged joke, FNG turns it right into a struggle cry.’
