Penetration | Important Logic
Gorilla, Manchester
14th November 2024
Penetration’s star shone briefly however brightly because the younger County Durham band gatecrashed the primary wave of UK Punk. Fronted by a younger, unsmilingly laconic Pauline Murray, the band’s picture might have performed to the gallery in these febrile early days, however whereas embracing the motion’s angle and stripping out a number of the extreme gildings. Penetration by no means thought-about lack of musical expertise to be a badge of honour. Certainly, Murray expresses frustration that they’re, in some quarters, remembered for the unbelievable however comparatively uncomplicated debut, Don’t Dictate. The preliminary promise got here to full fruition with the discharge of Shifting Targets, a traditional of its (or every other) time – subtly subversive moderately than overtly political and streets forward of most of the band’s contemporaries when it comes to musicality, lyricism and manufacturing. We’re right here tonight to have fun as Penetration play the album in its entirety.
Important Logic begin the night with an entertaining set of outdated, new and borrowed songs. Fronted by saxophonist/singer Laura Logic, the band deal with us to tracks from their unique 70s incarnation, the 2022 album, Land Of Kali and a few classics by X-Ray Specs, the band the place it began for Laura. Opening with a now subdued Aerosol Burns, the band hit their straps with the paradoxically extra upbeat Critical. Laura introduces Identification with ‘This one’s for Poly’, earlier than delivering one other laid-back rendition, the youthful rise up now a mild jazz exercise.
On the whole although, with distinctive twin sax to the fore, Important Logic are an ebullient and, at instances, moderately foolish bunch, as witnessed by rollicking performances of Wake Up and Alien Boys. And if a few outdated songs got the grown-up remedy, the traditional spoken intro, ‘Some folks assume little women must be seen and never heard’, heralds a riotous, no holds barred Oh Bondage Up Yours! to complete issues proper again the place they started.
The primary phase of Penetration‘s set holds few surprises as Shifting Targets is performed sequentially, however no one’s complaining because the acquainted opening chords of Future Daze ring out earlier than a pleasingly massive Gorilla crowd. The album/gig opener serves discover that the band had been all the time blissful to place the ‘rock’ into Punk Rock, with exhilarating guitar work underpinning, however by no means overwhelming Murray’s distinctive vocals. Pauline, who these days smiles moderately loads, is resplendent in a crimson jacket, black hat and signature headband as she takes centre stage, highlighted by the hanging backdrop. With that already jettisoned, it’s straight into the swaggering Life’s A Gamble, once more that includes a bona fide guitar solo, but it surely’s Murray’s hovering, wildly uplifting vocal which nonetheless has the ability to ship shivers down the backbone as she cavorts across the stage with seemingly renewed vitality.
Pauline breaks her stride briefly to welcome us, however there’s no let up with that startling assertion of intent, Lovers Of Outrage, a track which demonstrated exceptional creative maturity upon launch and, in widespread with the remainder of Shifting Targets, has misplaced none of its impression with the intervening years. And it’s apparent the band are on prime kind and having fun with each minute, with Pauline’s fellow founder member and partner, Robert Blamire, in a very cheerful temper, the tall bassist prowling the stage and reducing a hanging determine in khaki shirt and shades, whereas the dual guitars are each visually and musically participating.
Murray herself is in a talkative temper, ‘I wasn’t going to speak, I used to be simply going to play it just like the file’, however no apology is required because the rapport between singer and viewers is self-evident. The powerfully haunting Imaginative and prescient, a rejection of Catholic religion, shows Murray’s vocal prowess to the total; brooding, delicate and highly effective in flip. Muscular outings for Silent Group and Stone Heroes sustain the momentum, earlier than Pauline publicizes, ‘Effectively that’s the top of the primary aspect if you wish to flip the file over’, which, after all, we do.
The present tour follows the discharge of the Shifting Targets Re: Calibrated album, an ‘as reside’ transforming of the unique. It’s a thankless activity making an attempt to enhance on perfection, however there’s no denying that the rougher fringe of the reside renditions affords a special perspective to the polished studio variations, no extra so than with the joyous ‘Aspect Two’ opener, Motion. Penetration didn’t a lot cowl Buzzcocks’ Nostalgia as seize it from underneath the noses of their fellow northern interlopers whereas the ink was barely dry on Pete Shelley’s web page. The outcome was two marvellous and distinct takes on the splendidly prescient track from two of the period’s most creative bands. Though the track is given added poignancy tonight on the Manchester stage, the colourful efficiency is undoubtedly a celebration and does the track full justice. The Shifting Targets phase ends with a blistering Free Cash which manages to take Patti Smith’s exceptional unique and render it extra exceptional nonetheless.
A breathless Murray makes a ‘pinky promise’ to return earlier than the band take a well-earned second to recalibrate themselves, solely to return with a thunderous Don’t Dictate and the incendiary Firing Squad. Three tracks from the return album, Decision, make the lower, together with the appropriately named Beat Goes On. As Pauline places it, ‘That is one off the album. I used to be going to say ‘new’, but it surely was launched in 2015′, whereas one other nice cowl within the type of the Flamin’ Groovies’ Shake Some Motion (‘We have a tendency to think about this as fairly well-known, however some folks have by no means heard of it’), has them dancing within the imaginary aisles. Though Penetration’s second album, Coming Up For Air, suffered by comparability with its mercurial predecessor, it was a positive assortment in its personal proper as is acknowledged by the 2 encores, She Is The Slave and the anthemic Shout Above The Noise, earlier than the grinning band take their depart.
There was all the time a way of unfinished enterprise with Penetration. Pauline Murray went on to have a greater than respectable profession with The Invisible Women and as a solo artist, and says she has no regrets about how issues turned out – however there stays a nagging feeling that we had been robbed of what, in a special life, may have gone on to be one of many nice bands. Tonight gives the look that Penetration believes there’s unfinished enterprise. Their preliminary return to the stage following a decades-long absence appeared tentative, if not reluctant, however every member now appears infused with boundless vitality, enthusiasm and confidence. With the promise of latest materials within the offing, this feels extra like the beginning of a recent chapter than mere nostalgia. The beat goes on.
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All phrases by Robin Boardman. Extra writing from Robin for Louder Than Conflict could be discovered at his writer’s archive.
Pictures: Ian Corbridge
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