Tennis’ lead singer Alaina Moore sat down with Atwood Journal to debate the band’s course of, her marriage to her musical soulmate Patrick Riley, and their seventh and ultimate report, ‘Face Down within the Backyard.’
Stream: ‘Face Down within the Backyard’ – Tennis
Indie pop duo Alaina Moore and Patrick Riley have been releasing music underneath the identify Tennis since 2011.
Occupying an area that’s simply as sonically distinctive and dreamy as is their story and profession, the couple have amassed a devoted fan base because of a sound that appeared novel, an thrilling journey into the world the couple created.
With their seventh and ultimate launch, Face Down within the Backyard (launched April 25 by way of Mutually Detrimental), Moore and Riley give their followers one final report crammed to the brim with poetic, retrospective lyricism backed by the hybrid of synth-pop and rock that listeners have come to cherish over the previous 15 years. With the duo acting at their greatest, from the writing to the vocals and grand manufacturing, Face Down within the Backyard serves as a bittersweet goodbye from the beloved band. Lead singer Alaina Moore sat down with Atwood to debate their marriage, the beginnings of Tennis, and the way the band has formed her and Riley.
Whereas creating their ultimate challenge, Moore tells Atwood Journal, “Patrick and I felt out of sync with the world, as if we had been ejected from the move of life. My response was to bury myself in my very own reminiscences. These years weren’t simpler or higher, however I might make sense of them. In Face Down within the Backyard, I hint the arc of my life via a sequence of vignettes: a primary second of connection, a dialog at a marriage, an evening offshore, a tour diary.” With the report diving headfirst into the previous, longtime followers can count on to really feel a deeper sense of connection to the duo, making Face Down within the Backyard as intimate of a goodbye because it should’ve been for its creators.
Tennis might by no means have begun if Moore and Riley weren’t in the identical philosophy class whereas in faculty at Colorado, a run-in that appears so deterministic and pushed by destiny. It solely serves to deliver extra which means to their discography: “We met in analytic philosophy class, grew to become quick associates, after which fell in love,” she smiles.
After assembly in school, Moore explains, crusing shortly grew to become part of their inventive course of. As disconnected as it might appear, a crusing journey that the 2 embarked upon post-graduation was a journey that helped them to start their careers in music. “Once I met Pat in faculty, his espresso desk was stacked with books to show you the way to sail, books like ‘Easy methods to Sail Across the World Alone.’ And I used to be like, ‘What are you planning on doing? We’re in Colorado.’ I’d by no means been on a ship or something,” says Moore.
“By the tip of that college 12 months, I used to be one way or the other tagging alongside on this crusing journey that he had been wanting for about 10 years that I had solely simply thought of… Yeah, it was actually… insane. We didn’t know the way to sail. We had by no means been on a ship. It was like pure chaos, however a lot enjoyable. It’s the form of reckless journey you can take whenever you’re 22 and also you don’t perceive mortality.”

Shortly thereafter, taking to the seas grew to become a considerably constant inventive routine for the couple – the ocean and its huge unpredictability serving as a incredible setting for his or her course of.
“We often do it possibly each different album as a result of it’s simply an enormous dedication. It’s months of our time. We sail to a really distant place and it’s a little bit of a survivalist state of affairs… Weirdly, the stakes of being dwelling off the grid in the midst of nowhere on a ship, on the water with solely your personal sources to guard you… it’s only a actually fascinating backdrop for creativity as a result of there’s simply an depth and urgency to your on a regular basis expertise… It’s very humbling and actually scrambles your priorities.”
Would have Moore begun her profession in music if these fateful crossroads had been by no means offered to her, if she had by no means stepped foot on that sailboat, or taken that philosophy class? Moore says, “I’m wondering that generally too, it’s bizarre as a result of I really feel like making music was my future, however I don’t assume I’d have performed it if I hadn’t met Patrick. I wouldn’t even be fascinated about doing it with out him. I wouldn’t write a track and I actually would by no means play a present. If it wasn’t for him… I really like music a lot however, for me, what’s so profound about it’s that it’s a shared endeavor with my life accomplice.”
Moore’s love, respect, and admiration for husband is endlessly clear. His professional, seemingly divinely guided, information of musical manufacturing and his skill to create charming soundscapes is a definite side of Tennis. “Even in spite of everything these years, my favourite factor to do is simply to sit down in a chair behind him whereas he’s mixing and simply hearken to him make sounds out of nothing, similar to some form of a sign. After which he turns it into essentially the most fascinating factor.”
Moore credit a lot of Tennis’ success and other people’s explicit curiosity within the general sound of the band to Riley and his skill to deliver the one in every of a sort edge to their tracks.
Once you hear a Tennis track, it’s clear that it’s distinctly theirs. Whether or not or not it’s synth that takes you right into a separate dimension or completely organized instrumentals that deliver dwelling the impression of a lyric, Riley is essential in making Tennis tracks as textured and memorable as they’re. The manufacturing is much more memorable because of Moore’s vocals, which she tries to construct alongside Riley’s sounds that he conjures up.
“I really assume one-third of the band is his skill to sculpt sound and seize sound. He was so good at it instinctually from the very starting… I wish to decide to the sound he had first and it’s often very limiting as a result of it’s like extraordinarily determined tonally, but it surely’s so fascinating. It’s like, I feel it’s what brings uniqueness and like an edge to our music as a result of I deliver a extra – I don’t need to say typical – however possibly a extra refined melodic contribution to the band. So I attempt to meet him the place he’s at as a result of what he may have performed is so distinctive and I feel it’s what has given our band our sound.”
Because of the couple’s dedication to having complete company and freedom over how they create their artwork, Face Down In The Backyard shapes as much as be an extremely contemplative and sonically distinctive report, from the hushed whispers on the bridge of “The House” to rock centric tracks like “By The Mirror.”
Takes extra to be your man
I’m the one who understands
Sleep, tide, blue dunes
Blue ruins, salt dunes
My pallor, salt in my eyes
Takes extra to be your man
I’m the one who understands it
Oh, no, no, no, no
Constellations falling
Takes extra to be your man
I’m the one who understands it
With the report performing as a ultimate ship off for Tennis, each the lyrics and the manufacturing have a grandiose melancholy to them.
Whereas this has at all times been part of Tennis’ general vibe, the tone that the tracks inhabit might have resulted from the hectic course of Moore and Riley went via whereas creating their final album: “We felt a transparent pull to write down new music, however ran up towards a sequence of weird setbacks. We blew tires and misplaced an engine. I developed a continual sickness. We took a doomed voyage that culminated in an tried theft at sea. Fragments of songs that first arrived like presents from the universe later refused to be accomplished. Our days had been awash in main and minor crises that dragged the album out endlessly.”
Revisiting these previous reminiscences amongst all of the chaos whereas writing the 9 songs on the report resulted in unforgettable tracks. One of the crucial cathartic and profession defining items to come back from the report is “12 Blown Tires,” the monitor performing as a sweeping and all encompassing recap of the journey that has been Tennis, “That’s actually the track,” Moore muses. “It felt like we zoomed out, like a little bit of a profession retrospective… It’s simply form of like faucet dancing via reminiscences massive and small of all the numerous years that we’ve been doing this challenge and never simply of the band, but in addition of the dynamic of our relationship unfolding towards the backdrop of Tennis. , half of our marriage has existed on tour and within the studio… it’s a really fascinating dynamic as a married couple, so I spent plenty of time reflecting on that as a result of we did really feel whereas we had been penning this album that it felt like Tennis was simply coming to an finish.”
Press my need to the margins
I’ve been face down within the backyard
You’re fast however time strikes sooner
Love like a pure catastrophe
Once I stroll I’m barely touching the pavement
You smile and giggle when you’re waving
To me once more, I’m going on counting
No flower withers
No flower withers in your hand, in your hand
I do know you’re the golden son
And the place you stroll new lifе has begun
Ready for destiny to make it quick
Maintain mе so lengthy with out having to ask
Twelve blown tires in underneath a mile
Twelve blown tires in underneath a mile
On the lookout for a stone in a mud pile
Counted twelve blown tires in underneath a mile
Over the 15 years that Moore and Riley have been creating their artwork collectively, their course of has remained one which upholds the music in any respect prices.
“We’re double alphas,” Moore explains. “We’re each extraordinarily uncompromising and didactic and we’re actually onerous on one another… And that’s for each of us. I’m not going to let him put a nasty thought within the report and he received’t let me put a nasty thought in, at the very least in line with our personal judgment. However that could be very onerous. And that’s generally why I feel that’s why our albums have gotten shorter and shorter as a result of our requirements get increased and better and we’re very onerous on one another. We’re not letting most of our concepts cross the take a look at. So half of our songs get thrown away.” Face Down In The Backyard is actually reflective of this sentiment, its 9 tracks dwelling to a number of the band’s most spellbinding manufacturing but. Coupling that with the lyricism and information that that is Tennis’ final album solely makes the report really feel much more sentimental.
The years haven’t been with out their enriching and fulfilling bits as effectively. Making a inventive challenge together with your life accomplice over years and years has allowed Moore and Riley to deepen their connection and admiration for each other. “Essentially the most rewarding components are whenever you hear your accomplice make one thing and also you’re like, ‘Wow, how did you try this?’ It’s already somebody you like however… then they shock you once more… There’s the opening guitar half on this track ‘By The Mirror.’ He simply was like fucking round in our lounge with this actually cool pedal… I used to be in one other room with the telephone and I recorded it. I walked out and I used to be like, ‘That’s the starting of a track!’ I don’t understand how you simply shit that out, but it surely’s so cool. As a result of he wasn’t even attempting to do something. He was simply manipulating a pedal.”
How is it you stated you had been lonely?
Salt in my hair as you maintain me
By the mirror, you and I are falling now
I put on your ring, I’m loyal
I put on your ring, I’m unattainable
You drag me down into your goals
How is it you stated you had been lonely?
Can’t cease my teardrops from falling
By the mirror, you and I are falling now
All through the method of making Face Down In The Backyard, Moore and Riley intuitively knew that this was their ultimate challenge.
The very last thing the couple needed to do was to proceed making music for the sake of making it fairly than doing in order an genuine technique of expression, as one thing they had been known as to do.
From the early days of Tennis, Moore says, “We had no intention of sharing the music with anybody. It was simply one thing we did for ourselves after which to immediately notice like, oh, that’s our inventive moniker into our 40s… We don’t need to ever make an album that feels by-product or is simply rehashing previous concepts. I really feel like if we aren’t bringing one thing new to the desk, we want to simply put it away and transfer on. And so whereas we had been making this, there was simply all of this rigidity, all of this reflection of our previous. It actually felt like this was the tip and we had been tying a bow on all the pieces.”
Now that Tennis is coming to an finish, Moore and Riley are each concurrently grateful and desperate to see what their relationship will evolve into outdoors of upholding Tennis. “Each tour informs the work and the work informs our marriage, and it’s been so highly effective… we joke and speak so much about how our music is like our legacy. It’s like the youngsters we by no means had.” Refining the band’s sound and creating the distinct components that make up the band helped Moore to grow to be nearer to herself as an artist. All through the years, she discovered herself asking, “What’s my voice, what does Alaina Moore write like? I didn’t know… with Face Down In The Backyard, I felt very assured this is my voice. That is what I do… I really like figuring out that for 23-year-old Alaina, who was actually harassed about it, I’m actually glad to know that I acquired there.”
With Moore’s conviction in her inventive voice, Face Down within the Backyard happily received’t be the final we hear from Moore and Riley. Moore is at present engaged on a memoir, “evaluating and contrasting my tour diary with our ships log… There’s tons of artists who’ve written memoirs and there’s loads of sailors who’ve written memoirs, however I’ve by no means learn one which comes from each views.”
Drawing comparisons between crusing and touring, Moore says, “Dealing with the group is so much like going through the ocean. It simply turns into this huge vitality and you’re feeling perceived by it. It might reward you and it will possibly destroy you both one you recognize the group and the ocean it has a lot energy over you with out even essentially being conscious of it.”
With a journey as tumultuous and concurrently gorgeous and highly effective because the ocean itself, Face Down within the Backyard is a ravishing goodbye from a band that so many listeners have come to like.
Moore and Riley have allowed followers to develop alongside them and their marriage with every launch. This ultimate report is an extension of the intimate items the duo selected to share with us over their discography. Tennis’ legacy will undoubtedly stay on, their sound and impression on the indie-pop scene a exceptional and one-of-a-kind second in music.
Face Down In The Backyard is offered on all streaming platforms, and Tennis’ farewell tour begins in Might.
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A CONVERSATION WITH TENNIS
Atwood Journal: First off, thanks for taking the time to talk immediately! I’d love to begin originally of your profession. Is it true you and Patrick met on the College of Colorado in a philosophy class?
Alaina Moore: We did, sure.
And after you graduated, did you sail throughout the japanese Atlantic?
Alaina Moore: Yeah. Once I met Pat in faculty, I visited his condominium and noticed his espresso desk stacked with books on the way to sail, together with Easy methods to Sail Across the World Alone. I used to be like, “What are you planning on doing?” We had been in Colorado, and I’d by no means even been on a ship. Crusing was his fantasy, one thing he’d been saving for. We met in analytic philosophy class, grew to become quick associates, fell in love, and by the tip of that college 12 months, I one way or the other acquired roped into this crusing journey he’d been planning for ten years.
We sailed from St. Pete, Florida, across the tip of Florida via the Keys to the Bahamas, crossed again to Florida, and went all the best way up the Intracoastal Waterway to the Chesapeake Bay. It was pure chaos. We didn’t know the way to sail and had by no means been on a ship, but it surely was a lot enjoyable. The form of reckless journey you may take at 22 whenever you don’t totally perceive mortality.
And is it true that the journey sparked the beginnings of Tennis?
Alaina Moore: Yeah. We cherished music as followers and shared comparable style, but it surely wasn’t one thing we explored at first. Philosophy and crusing bonded us early on. It wasn’t till later that we began making music collectively.
Since Face Down within the Backyard is your final report for now, do you assume if you happen to hadn’t performed that journey – and even met in that philosophy class – you’d have gotten concerned in music independently or collectively?
Alaina Moore: That’s a terrific query. I’m wondering about that generally. I really feel like making music was my future, however I don’t assume I’d have performed it with out Patrick. I wouldn’t have even been fascinated about doing it with out him. I actually wouldn’t have performed a present.
What’s profound for me about music is that it’s a shared endeavor with my life accomplice. I’ve plenty of different passions and goals past music, and I feel I’d have pursued these if I hadn’t met Pat.
You talked about that whereas making the report, you confronted a sequence of weird setbacks, from a continual sickness to a theft at sea. How did these experiences impression the creation of the album?
Alaina Moore: This was the primary time it felt just like the universe was actually blocking us. We had the songs; they got here simply and needed to be manifested, however a lot life acquired in the best way. I struggled with sickness for the primary time. Then, throughout our regular writing sabbatical at sea – one thing we often do each different album – we confronted disaster after disaster.
Our engine stored dying. I acquired actually sick. We had an tried theft at sea: a gang of teenagers on a robust fishing boat shook us down for cash and gas. We additionally had a dying within the household; my grandmother handed away, and I needed to make an emergency journey dwelling. It felt like each time we tried to write down, one thing horrible occurred. We got here again feeling depleted. It felt just like the album wanted to be made however didn’t need to be made. We had been in fixed rigidity with it.
Within the wake of all that uncertainty, had been there any explicit tracks that you just discovered particularly cathartic to create?
Alaina Moore: Yeah, “12 Blown Tires” was actually that track for me. It’s my favourite on the report. It looks like a zoomed-out profession retrospective – reminiscences massive and small of our years collectively, each within the band and in our relationship. We spent plenty of time reflecting through the album, and it felt like we had been tying a bow on all the pieces we’d constructed.

So whenever you first began making the album, you didn’t instantly know it could be your ultimate challenge? That realization got here later?
Alaina Moore: Precisely. It slowly revealed itself to us over time. It took a 12 months to complete simply eight songs. We scrapped ten extra that had been actually good, however didn’t match. At first, we didn’t announce it was our final album. We needed to bow out gracefully. However finally, we realized we owed it to our followers to allow them to know this was their final likelihood to see us headlining.
Shifting to your inventive course of: Patrick has a robust engineering background. Does your writing often begin with sound, or with lyrics?
Alaina Moore: It depends upon the monitor, however Patrick’s sonic background is a large a part of our band. He often writes a guitar half, or generally drums or bass, and I’ll write lyrics to what he’s created. His early recordings are very tonally particular, which I really like. I feel that rigidity—his experimental sounds assembly my melodic instincts—is what defines our music.
And by way of how your relationship has developed, did making music collectively change from album to album?
Alaina Moore: Each iteration has modified. Our marriage informs the work, and the work informs our marriage. We regularly joke that our albums are like the youngsters we by no means had; they’re our inventive lineage. I’m excited to see what our marriage appears like with out the band as a result of operating Tennis is a full-time enterprise. It’s been lovely however exhausting. I’m able to see us with out that fixed dedication.

What would you say had been the largest challenges and largest rewards of creating music together with your accomplice?
Alaina Moore: Essentially the most rewarding half is whenever you see your accomplice create one thing sensible and it surprises you – even in spite of everything these years. The onerous half is that we’re each alphas, extraordinarily uncompromising. We work alone within the studio, and it will possibly get harsh – no filtering, no niceties. However it’s as a result of we’re so protecting of our work. Even when we harm one another’s emotions through the course of, we by no means carry that outdoors the studio.
I needed to ask about some previous fan favorites – like “Origins,” “Runner,” and “Want Your Love.” Have been you anticipating these songs to explode the best way they did? Have been they favorites of yours too?
Alaina Moore: Actually, sure. Often, the songs we love most are those that resonate with followers, which is basically rewarding. With “Runner” particularly, we knew it was particular. It felt magical once we made it. We might have been mad if folks didn’t love that one!
Pivoting to the tour – since that is your final tour indefinitely, is there something particular deliberate?
Alaina Moore: We’re simply centered on placing on the very best present we will. We wish the setlist to characterize our entire physique of labor. We most likely received’t do something from Cape Dory as a result of it’s up to now eliminated now, however in any other case, we need to rejoice the journey correctly. We’re additionally including extra cities now that it’s a farewell tour to ensure followers have an opportunity to see us one final time.
Are there any tracks you’re significantly excited to play stay?
Alaina Moore: Undoubtedly “12 Blown Tires.” It feels very truthful. It’s one of many few occasions the place I totally categorical myself in a poem.

You talked about you and Patrick are planning to discover different inventive pursuits. Are you able to share something you are engaged on?
Alaina Moore: I’m engaged on a e-book. Ultimately, I’d love to write down fiction, however I’m beginning with a memoir. It’ll evaluate and distinction my tour diaries with our ship’s log. Touring and crusing have so many parallels – each are journeys, each are self-reliant, each are transformative.
Dealing with a crowd is so much like going through the ocean. They each maintain energy over you in methods they don’t even notice. I’m very motivated to unpack all of that in writing.
Lastly, trying again, what do you assume college-aged Patrick and Elena would take into consideration all the pieces you achieved with Tennis?
Alaina Moore: I feel they’d be utterly in awe. Particularly with songwriting, there was a time round our second album once I felt misplaced, questioning what my voice was. It took writing a whole bunch of songs to determine it out.
Now, with Face Down within the Backyard, I really feel assured. I discovered my voice. And I’m so glad 23-year-old Alaina lastly acquired there.
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