Few can flip various post-rock guitar tracks right into a cinematic reel of catharsis, however Farehaven can rely himself among the many stringed savants who pour salvation by means of audio system. In Consider Me Now, David Sizemore doesn’t veil anguish or inflate ego; he strikes a steadiness between uncooked expression and refined composure. His vocal presence carries the punch of Grohl’s primal supply, tempered by the melodic sensibility of Incubus.
The guitars are the place the emotional deluge actually hits. Cast within the hearth of Sabbath-style weight and formed by the intricacies of progressive rock, they collapse into moments of stripped-back vulnerability earlier than swelling with compositional intent. Every motion within the monitor is a pivot in direction of one thing extra private, extra perceptive. You’re not merely listening, you’re absorbing each shift in momentum by means of your pores and skin.
Farehaven, based in 2010 by Sizemore, has by no means fixated on following alt-rock conventions. He’s already made an impression with airplay on over 40 radio stations, a nomination from Indie Music Digest for Album of the Yr, and protection from publications together with Music Connection. His lyrical method, each pressing and unpretentious, gives no boundaries between the message and the listener. There’s weight, but it surely by no means turns into burdensome.
Consider Me Now is now obtainable on all main streaming platforms, together with YouTube.
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Evaluation by Amelia Vandergast
