Tarragon Theatre and The Musical Stage Firm are presenting the world premiere of the musical After The Rain, a brand new Canadian musical. The piece is written by Rose Napoli, with music and lyrics by Suzy Wilde.
The present runs within the Tarragon Theatre Mainspace from Might 27 to June 22, 2025, opening June 4.
The Present
The premise of the present is straightforward — deceptively easy as described on paper. It centres across the character of Suzie Evans Stone, a struggling composer who’s creating wealth secretly giving piano classes, all whereas singing backup in her mother and father’ band.
She takes on a brand new scholar, and within the course of, finally ends up altering her life. The scholar, an older newbie, insists on studying and mastering just one piece: Erik Satie’s Gymnopedie No.1.
The story follows Suzie touring together with her mother and father’ band, as she makes new relationships and discoveries concerning the folks near her, and helps her scholar make sense of Satie’s seminal work. There are household troubles, life’s complexities, and, in fact, loads of music. It’s a delicate story concerning the ups and downs of life, how a music evolves, and the way making music collectively has an plain therapeutic energy.
Music additionally tells the story. You possibly can hear a pattern of it right here.
We spoke to Rose Napoli and Suzy Wilde concerning the present.
The Interview
Toronto-based Suzy Wilde is a songwriter, composer, producer, arranger, instructor, choir director, and dwell performer. She works in each the dwell music and musical theatre communities.
Canadian playwright and actor Rose Napoli is an alumnus of Nightwood Theatre’s Write From the Hip Program. As an actor, she has labored extensively in TV and movie in addition to on stage, and acquired a Dora nomination in 2016 for Excellent Efficiency, amongst different accolades.
It’s not the primary time that Wilde and Napoli have teamed up. Their challenge The Carrette Sisters, a part of a collective adaptation of the works of Mavis Gallant titled Retold, was nominated for a Dora Award. After The Rain acquired Tarragon Theatre’s Bulmash-Seigel prize and the Aubrey and Marla Dan Fund prize for brand new musicals.
How did the story come about? It appears… fairly particular to have been dreamed up out of the blue.
“I’m not a musician. I’m a music lover. I took piano as a baby. I took piano classes, and didn’t have the persistence in it,” says Rose.
Her personal story resonates with the coed character of the story, who’s a middle-aged novice.
“I may positively draw off these experiences that I had,” she says.
“However, Rose has nice rhythm,” provides Wilde.
Wilde relates how After the Rain happened.
“It began with a music, an previous music that I had written and executed nothing with,” she begins.
The music was about two folks she’d met who had turn out to be her music college students. It might be a matter of years earlier than she acquired round to taking part in the music for Rose, who instantly acknowledged the potential.
“She mentioned, this can be a present,” Suzy recollects. “However actually, the present is, we all the time say it’s concerning the life it’s important to dwell to jot down a single music.”
“And that music known as After The Rain,” Napoli provides.
In different phrases, there’s a truthful foundation for the present, and loads of dramatization of the reality within the story.
“We’re by no means specific of which is which — and sure, it’s based mostly on various true tales.”
For the present, they’ve assembled a created band, and the musicians supplied their very own anecdotes which grew to become a part of the fabric.
“Plenty of Canadian musicians will see this present and acknowledge tales that we’ve extrapolated from their fact,” Napoli says.
Why Satie?
Erik Satie’s Gymnopedie No.1 is a piece that any scholar of the piano will acknowledge.
“One of many characters has an attractive meditation on the music as she’s really taking part in it on the piano,” Napoli says.
As she performs, she talks concerning the piece.
“It appears as if it’s fairly easy while you hearken to it,” Rose says.
However, that simplicity is misleading. There’s rather a lot that goes into having the ability to create that air of peacefulness and ease.
“The music serves as a extremely lovely metaphor about what loads of the characters within the present are searching for,” Napoli provides. It’s the right method to seize the spirit of the play.
“It’s such a pop music in a approach,” Suzy provides. “We had a good time studying about Satie and what he was like in the course of the present.”
The lead character is intrigued by the truth that Satie failed music college, and that his lecturers famous his ‘laziness’.
“He looks as if a humorous, quirky type of individual,” Wilde says.
“He brazenly mentioned that he had no need to achieve success,” Napoli factors out. “He discovered transgression in tranquility.”
The concept that such a delicate and easy sounding piece of music might be so highly effective and affecting is the purpose.
“Music doesn’t must be in your face,” Rose says. “Music may be life altering and be quiet and easy on the identical time.”
At many concert events these days, the conductor will discuss to the viewers, giving context and biographical particulars to higher perceive the music that’s about to be carried out.
“I believe in a approach, that’s what we’re endeavouring to do with our present,” Napoli says. By means of the story of teaching one individual on one musical work, they take about two hours to construct up the context, together with the individuals who surrounded and influenced the composer.
“It feels that there’s so many layers of have an effect on within the present, that we’re understanding one girl attempting to study Satie — however the viewers as effectively is studying,” Rose says. “These tales actually enrich your expertise of that music.”
The present additionally appears to demystify the music, and show that even a brief piece of music can transfer you as a listener — the composer’s entire life, primarily, goes into every work, regardless of how easy or temporary.
“We actually, with our present, we wished to democratize the music. We wished to speak that music just isn’t a virtuosic factor,” Napoli explains. “They are often equally moved by simplicity as by virtuosity.” She factors out that it’s additionally about underscoring the sense of group that comes from the act of creating music. “It’s a particular factor no matter one’s music skill.”
“When any individual sits down to jot down a music it’s popping out of that individual, it’s additionally popping out of the individual they spoke to 5 minutes in the past, and somebody they knew ten years in the past. It’s such a domino impact,” Suzy says.
As she factors out, it was a girl who requested for piano classes to study one single music that sparked all of it.
“And due to her thought, a music was created, a present was created,” Wilde says. “Little tiny seeds from anybody can actually develop into one thing particular.”
“It implies that we’re all artists,” Rose provides. One of many songs within the present entails a girl singing about her mom, and recalling that she would sing whereas she swept the flooring. “I didn’t develop up in a household that might have known as themselves artists,” she says. Nonetheless, there was singing and music. “There are such a lot of folks on the market who’re crammed with creative sensibility. I believe this present needs to pay homage to the artistry of these folks.”
Suzy additionally factors out the position of music schooling and the way in which it’s primarily vanishing from public colleges.
“In a metropolis the place music in colleges is beginning to crumble, it appears increasingly more vital to have these conversations,” she says.
“They should come to see our present,” Rose says of metropolis politicians.
Hitting the street…
The present will likely be touring to the Nationwide Arts Centre in January.
“Our need is to proceed to take this present out on the street and journey it. We do assume, like Satie, there’s something deeply vital about this present,” Napoli says. “It feels prefer it’s large and it’s small on the identical time.”
Above all, it’s a human story of discovery and group, in addition to delving into the music and what music efficiency is, with out getting on a soapbox.
“Like Satie, it looks like one thing fairly easy, and but fairly transgressive.”
- Discover extra particulars concerning the Toronto premiere, and tickets, [HERE].
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Anya Wassenberg is the Toronto Metropolis Editor at Ludwig Van. Beforehand, she was a contract author with a specialty in tradition and journey for 3 many years, and a artistic writing teacher for Ontariolearn.
