Each Friday, Atwood Journal’s workers share what they’ve been listening to that week – a track, an album, an artist – no matter’s been having an influence on them, within the second.
This week’s weekly roundup options music by Sabrina Carpenter & Dolly Parton, Remoted Youth, Aistis, Alejandro Aranda, Annie-Rose Maloney, August James, Brilliant Mild Brilliant Mild & Donna Lewis, MARKETPLACE, Blue Slate, charlieeeee & Phoebe Corridor, Dave Curl, Money & Skye, Lola Wild, Ellie Dixon, Lilly Bedard, and younger good friend!
•• •• •• ••
comply with WEEKLY ROUNDUP on Spotify 
•• ••
:: “Please Please Please” – Sabrina Carpenter ft. Dolly Parton ::
Bárbara Martínez Campuzano, Mexico
You’ll must take heed to “Please Please Please” with a style of the nation style. Launched this previous Valentine’s Day, the deluxe version of Sabrina Carpenter’s newest album, Quick ‘n Candy, comprises a brand new model of its second monitor with the legendary nation singer, Dolly Parton. Other than the nation twist, the track has undergone lyric modifications such because the swear phrases that accompanied “Heartbreak is one factor, my ego’s one other, I encourage you, don’t embarrass me just like the others.” This omission was addressed by Parton, saying that she will be able to’t say these phrases for her youngsters.
This track is definitely worth the hear not solely as a result of it shifted from pop right into a extra nation surroundings, however as a result of two in style, praised artists from two completely different generations have proven their expertise in vocals and even within the monitor’s new music video, during which Parton takes place as a protagonist. In direction of the top of the video, there’s a shock that has stored Carpenter’s followers speaking… particularly those that learn about her latest previous relationship with Barry Keoghan.
:: “Love Locked in a Darkish Room” – Remoted Youth ::
Mitch Mosk, Beacon, New York
A fiery, feverish post-punk haze blankets the senses as Remoted Youth’s first single of the 12 months roars to life, engulfing the ears in a uncooked, inescapable sonic (and emotional) warmth. Launched January 14th, “Love Locked in a Darkish Room” is a cathartic and charming, charged and churning present of brute drive – and noteworthy expertise – from the Swedish band. The lead single off their forthcoming debut album miserere mei (out April 4th) rages with thrashing drums and brash guitars, concurrently calling to thoughts onerous rock heavyweights like Muse and post-punk legends like The Treatment, as vocalist Axel Mårdberg spills his soul with dramatic poise and exhilarating power.
“‘Love Locked in a Darkish Room’ was the primary track we wrote for the album Miserere Mei,” Remoted Youth’s William Mårdberg tells Atwood Journal. “Faris Badwan of The Horrors first heard it by way of a livestream of our efficiency on the Norrtälje Artwork Heart, a distant coastal metropolis outdoors of Stockholm, the place we’re from. It sparked the remainder of the album as a result of it gave us the primary clue concerning the path the remainder would take. The monitor has a nocturnal aura but an upbeat vibe. ‘Love Locked in a Darkish Room’ options a basic blues sample strumming in the verse, which then breaks into an emotive refrain.”
“The lyrics describe being out on a ‘chilly, darkish, violent night time’ and, to some extent, feeling trapped in nightly environments with out an escape plan. Or maybe like being underwater and looking out as much as the floor, discovering another person in this setting, and all of the sudden realizing later the identical night time that there’s one thing brilliant and pure that cuts by way of the noise and brings you again above the floor. Then, every part else that occurred appears like a nightmarish, unusual dream, and in that second, realizing that you simply don’t need the opposite individual to go away… Like love locked in a darkish room.”
The top result’s an unapologetically intense, darkly romantic, spine-chilling reverie. As boldly unrelenting as it’s completely breathtaking, “Love Locked in a Darkish Room” hits onerous and leaves an prompt mark, guaranteeing all ears comply with the band within the lead-up to their debut.
Remoted Youth have, in a single track, made their declare to 2025 – and it’ll be on to different bands to stay as much as the instance set by “Love Locked in a Darkish Room.”
:: Caviar for Seagulls – Aistis ::
Danielle Holian, Galway, Eire
Aistis’ Caviar For Seagulls is a masterclass in art-folk storytelling, mixing grandiose orchestration with piercing self-examination. Every monitor unfurls like a scene from an outdated Hollywood movie, steeped in melancholic magnificence but charged with a stressed, looking power. The luxurious instrumentation – swelling strings, wistful pedal metal, and bursts of brass—frames Aistis’ poetic lyricism, lending a theatrical weight to his introspective musings. That is an album that doesn’t simply ask questions; it wrestles with them, permitting its fragmented vignettes to construct right into a strikingly immersive and deeply private journey. As Aistis navigates the corridors of his previous, his voice – each susceptible and wry – acts as a information by way of the shifting landscapes of reminiscence, remorse, and redemption.
But, for all its self-reckoning, Caviar For Seagulls shouldn’t be weighed down by despair; relatively, it finds an odd, shimmering hope inside its introspections. Tracks like “Rejoice” supply cathartic launch, whereas “86/Dove” pays homage to Leonard Cohen’s enduring knowledge, embracing acceptance over resistance. Even at its most self-critical, the album by no means feels indulgent—it’s, as a substitute, a fantastically crafted examine of the human situation, delivered with Aistis’ signature wit and candor. His collaboration with co-producer Niall Mutter and engineer Gilles Castilloux has resulted in a document that’s each expansive and intimate, solidifying Aistis as one of the compelling voices in modern people. With Caviar For Seagulls, he proves that the most effective storytelling doesn’t simply reveal the artist – it invitations the listener to see themselves mirrored within the depths.
:: “Dissonant Concord” – Alejandro Aranda ::
Rachel Leong, France
Alejandro Aranda lately returned below new alias, releasing the one “Dissonant Concord.” Previously often called Scarypoolparty, Aranda’s new monitor marks a brand new starting for the artist. With rhythmic acoustic guitar riffs and easy vocals, “Dissonant Concord” is a bittersweet and brilliant monitor steeped in nostalgia.
The monitor croons, “Seems like I’m ready, separating from the time zone / Really feel like I’m fading to the space of the unknown / Really feel like I’m falling, however I’m longing simply to come back residence”, posing an anthem for the emotional indicators of that free fall into the longer term.
After his success as a finalist on the seventeenth season of American Idol in 2019, Alejandro Aranda turned an indie famous person together with his distinctive mix of different pop, indie, and acoustic kinds mixed with emotional lyrics and his spectacular guitar abilities.
:: “I Run From Ache” – Annie-Rose Maloney ::
Mitch Mosk, Beacon, New York
“I run from ache earlier than it hurts,” sings a unadorned and uncooked Annie-Rose Maloney, their tender voice heavy on the mic alongside a lone, hauntingly naked acoustic guitar. “Earlier than I get the time to assume and make it worse.” Dwelling in infinitely susceptible depths of introspection, “I Run From Ache” aches in and out because the Naarm/Melbourne-based singer/songwriter reckons not simply with themself and their very own behaviors, however with the usually merciless ebbs and flows of life itself.
It’s a track born from a lingering, unavoidable unhappiness inside and with out; a darkish and trustworthy confession sung to, and for, the self.
I run from ache,
Earlier than it hurts,
Earlier than I get the time to assume
And make it worse.
I’m all the time numb, is that okay?
Or am I dropping out
From not studying tips on how to keep?
“I wrote ‘I Run From Ache’ a few years in the past when I was deeply unhappy and disconnected from myself and different folks,” Maloney tells Atwood Journal. “The track asks many questions on life and ache. When I wrote it, I was actually attempting to grasp how folks linked with each other, as a result of I by no means felt like I was in a position to do it. I felt like I had an enormous a part of myself lacking and it was fairly harrowing.”
“The phrases to the track have been written in a short time. In just about lower than half an hour, the entire track was created. I actually had problem singing ‘I Run From Ache’ initially due to the unhappiness I felt when I sang the phrases. Though it was written a while in the past, the themes are nonetheless related to me right this moment.”
We’re dying off, we’re getting chilly.
I’ll stand alone when I’m outdated.
Then the place will I run, what is going to I do?
What’s the purpose of dwelling with out you?
It doesn’t get rawer than this – and it’s that unflinching, visceral pouring out of the self that makes Annie-Rose Maloney as relatable as “I Run From Ache” is gut-wrenching. In baring their soul to the world, the alt-folk artist has tapped right into a deeper pressure of our shared humanity – the intimate stuff that feels unbearably isolating, but actually, has the ability to carry us all collectively.
Are you a similar,
Or do you harm?
Have you ever liked and misplaced
And received what you deserve?
Is there remorse, or is there none?
Do your eyes say
You may have peace with all you’ve accomplished?
We’re dying off, we’re getting chilly.
I’ll stand alone when I’m outdated.
Then the place will I run, what is going to I do?
What’s the purpose of dwelling with out you?
I’m reminded of Neil Younger’s “My My, Hey Hey” – one other track that not solely despatched shivers down the backbone, but in addition opened me as much as emotions I had by no means absolutely expressed, or understood, earlier than. Similarly, “I Run From Ache” evokes the unevocable and expresses the inexpressible – placing music to a sense that usually leaves us empty and drained, and at a loss. Unhappy and somber although it could be, this track is a real present, and one that can absolutely be cherished forevermore.
By no means have I ever needed it extra.
You see it in my face,
I’m all misplaced, my love.
And the life I liked to speak about
Is falling by way of my fingers.
Who’s gonna be there
Once we flip it throughout?
:: “Montana Riverbeds” – August James ::
Mitch Mosk, Beacon, New York
Tender, gentle, and haunting, “Montana Riverbeds” is the sort of track that each soothes and stirs the soul without delay. The most recent providing from singer/songwriter August James finds the Minnesota-raised, Los Angeles-based artist dipping his toes in each the folks and indie worlds without delay, using mild guitars and synths (and his personal hushed, soul-stirring voice), along with a putting drum loop and tasteful sampling, to create one thing altogether contemporary, daring, and breathtakingly stunning.
“I wrote ‘Montana Riverbeds’ about feeling like somebody was utilizing me as a distraction from who and what they actually needed,” James tells Atwood Journal. “‘Montana Riverbeds’ is an outdated Hollywood Rom-Western in track type – I’ve all the time been compelled by the American West as a basic metaphor for craving and escape; these themes and that backdrop match good for story of misplaced love I inform within the track.”
James’ efficiency is romantic, it’s endearing, and it’s in the end all-consuming: A blanket of heat for the ears and the guts. An perception into his subsequent EP (particulars TBD), “Montana Riverbeds” is each a wondrous show of human emotion, and a charming present of expertise from an artist filled with promise, potential, and uncooked emotion.
:: “Take pleasure in Youth – Welsh Model” – Brilliant Mild Brilliant Mild, Donna Lewis ::
Grace Holtzclaw, Los Angeles, CA
Bproper Mild Brilliant Mild and Donna Lewis are two Welsh artists who come collectively on “Take pleasure in Youth – Welsh Model” for a transferring tribute that pays homage to their shared residence nation. Donna Lewis lends her legendary voice to the monitor, as acknowledged from her platinum-selling profession and groundbreaking single, “I Love You At all times Endlessly”. Her vocal paired with Brilliant Mild Brilliant Mild’s eclectic electronics makes for an elevated, uplifting, and really unforgettable partnership between the 2 artists.
“Take pleasure in Youth” is a transcendent hear that notes on the peaks and valleys of life that lead us to the current second. Donna Lewis sings, “It’s been merciless and it’s been form / We’ve stuffed our hearts and stuffed our minds.” Packed to the brim with fleeting electro-pop sonics, glowing synths, and stirring harmonies, “Take pleasure in Youth” units the scene for a reflective journey by way of our personal reminiscences.
Produced by Rod Thomas and GRAMMY-nominated producer Jon Shave, “Take pleasure in Youth” is a seamless collision of sheer artistry. For Brilliant Mild Brilliant Mild who grew up listening to Lewis, this single is a cornerstone in his profession as a musician. He feels fortunate and impressed to work together with her and that very same spirit carries by way of within the music itself.
:: “Ode to Monty” – Market ::
Danielle Holian, Galway, Eire
MARKETPLACE’s “Ode to Monty” is a charmingly offbeat indie-pop gem that seamlessly blends satire with sincerity. With its shimmering synths, punchy guitar riffs, and driving rhythm part, the monitor radiates the colourful power that has turn out to be the band’s hallmark. Whereas love songs usually lean into sentimentality, “Ode to Monty” flips the script, humorously centering across the unlikely romantic determine of “Gardeners’ World” host Monty Don. Evie Rhodes’ charismatic lead vocals strike the proper stability between playful and heartfelt, wrapping the tongue-in-cheek idea in a genuinely infectious melody. The result’s a track that feels each refreshing and effortlessly enjoyable, proving MARKETPLACE’s means to craft music that’s as intelligent as it’s catchy.
Beneath the humor, “Ode to Monty” is a testomony to MARKETPLACE’s evolving sound – one which nods to their influences, from Pulp to Alvvays, whereas remaining distinctly their very own. Chad Rodgers’ manufacturing captures the essence of their dynamic stay performances, permitting the band’s tight musicianship and simple chemistry to shine. The wealthy interaction of bass, synth, and vocals provides a degree of sophistication to the monitor, exhibiting that MARKETPLACE is greater than only a band with a humorousness; they’re a gaggle with critical musical chops. As they proceed to carve out their place within the indie-pop scene, “Ode to Monty” serves as a superb instance of their means to combine wit with heat, delivering a single that’s as memorable as it’s delightfully surprising.
:: This Is How I Sleep At Evening – Blue Slate ::
Danielle Holian, Galway, Eire
Blue Slate’s debut EP This Is How I Sleep At Evening is a surprising introduction to a band poised for greatness, effortlessly merging New Wave melancholy with shoegaze’s swirling depth. Throughout its tracks, the Irish four-piece crafts a sound each nostalgic and pressing, with uncooked, jangling guitars and piercing lyricism that lower straight to the core. The title monitor stands because the EP’s defining second – an alt-rock powerhouse drenched in reverb and distortion, evoking the dreamy attract of DIIV whereas channeling the unfiltered power of The Velvet Underground.
With echoes of Manic Road Preachers’ fearless lyricism and a dynamic vary that sways between indie introspection and grunge-fueled chaos This Is How I Sleep At Evening cements Blue Slate as a drive to be reckoned with in fashionable rock.
:: “KNOW ME” – charlieeeee & Phoebe Corridor ::
Mitch Mosk, Beacon, New York
I will readily admit that the majority hyperpop music has eluded me to this point – however not this monitor. I don’t know if it’s the BRATification of every part, my very own altering tastes, or the addition of sure different influences, however charlieeeee and Phoebe Corridor’s new collaboration hit me like a ton of bricks. As infectiously catchy as it’s sonically charged, “KNOW ME” is a technicolor fever dream full of huge, daring sounds and uncooked, visceral feelings. It’s an intimate expression of charlieee’s personal non-binary id – a track that captures each their private journey to self-knowing and understanding, in addition to their interpersonal frustrations – feeling not seen, heard, and understood by these round them, even these closest to them.
And what can we do when the pent-up feelings turn out to be an excessive amount of to bear? We let all of them out in dizzying, dazzling track.
“‘KNOW ME’ is concerning the journey of rising into your self, however out of some folks near you,” charlieeeee tells Atwood Journal. “For me, the track is particularly about popping out as non-binary, and a few folks near me probably not understanding or taking the time to grasp what it means.”
snap again, your heads within the sand
your face down,
and also you don’t even know who i’m
you want the actual fact i don’t react
truthfully i don’t wanna depart it like that
you don’t even know me in any respect…
“However in a wider sense, it may be that basically tough feeling when there are people who assume they know you higher than you do, and are making choices in your behalf with out actually wanting and listening to you. It was an actual pleasure working with Phoebe on this monitor, as we now have had a whole lot of parallels in our lives.”
To that finish, Phoebe Corridor expresses how working with charlieeeee was not solely an thrilling, but in addition an inspiring course of. “It’s not usually that you simply meet an artist who has created such a world round them and their music,” Corridor shares. “From mainly strangers on the web who thought it was humorous we regarded comparable, charlieeeee has turn out to be one in all my favorite folks to work with. It’s allowed me to check out a extremely new sound and discover themes and concepts with somebody who actually will get it.”
i’d say it’s simpler appearing like i don’t care
however it appears like i’m circling a nightmare
attempting to show myself to you
I scale back myself for you
so i take myself out of areas
ignore the methods i’ve been altering
however you continue to stare
inform me what to put on
don’t know why i’m caught up in caring
charlieeeee’s lyrics sting; there’s a brutality to this unflinching degree of honesty. “It appears like I’m circling a nightmare attempting to show myself to you; I scale back myself for you.”
Arriving on the heels of final October’s single “HAPPY BIRTHDAY,” “KNOW ME” isn’t only a monitor of private import to charlieeeee; it’s a universally vital track recognizing the necessity for empathy, tolerance, and compassion in our world society. At a time when hate and discrimination are being peddled from the best echelons of energy and political workplace, music and artwork like this isn’t only a technique of self-expression, however a device in opposition to oppression: A way of reinforcing the common want for tolerance, for acceptance, and for love all through the world.
What does it imply to ‘know somebody’? On the floor, it’s a sophisticated query to reply, but when we simply cease and hear with open ears, open minds, and open hearts, the reality is that figuring out somebody is definitely one of many best issues a human being can ever do.
snap again, your heads within the sand
your face down, and also you don’t even know who i’m
you want the actual fact i don’t react
truthfully i don’t wanna depart it like that
you don’t even know me in any respect…
really feel it proper down the middle
assume i’ll be this manner without end
simply need you to get it proper
take my hand it’s now or by no means
don’t push me away without end
gained’t waste time attempting to get it proper
otherwise you’ll by no means seen me once more!
:: “Idiot in Love” – Dave Curl ::
Danielle Holian, Galway, Eire
Dave Curl’s “Idiot in Love” is a masterful mix of uncooked emotion and infectious melody, a track that feels each deeply private and universally relatable. Written three many years in the past however solely now seeing the sunshine of day, the monitor carries the burden of time, permitting listeners to step into the guts of Curl’s youthful uncertainty. His soulful vocals glide effortlessly over a cultured pop association, weaving a story of affection’s contradictions – the enjoyment, the confusion, and the aching seek for one thing simply out of attain. The track’s power lies in its honesty; it doesn’t supply straightforward resolutions however as a substitute embraces the messy, stunning actuality of human emotion.
Regardless of its introspective origins “Idiot in Love” radiates a hopeful power, remodeling self-doubt into an anthem of resilience. The shimmering manufacturing and memorable hooks elevate the track past mere nostalgia, making it a poignant reflection on development and self-acceptance. Curl’s means to translate deeply private experiences into music that resonates throughout generations speaks to his artistry. As a part of his increasing discography, this newest single additional cements his fame as a songwriter who isn’t afraid to put naked his soul. Whether or not you’re caught within the throes of affection or wanting again on previous uncertainties, “Idiot in Love” is a reminder that the journey of the guts is as compelling because the vacation spot.
:: “Stranger” – Money & Skye ::
Mitch Mosk, Beacon, New York
It was the dreamy warmth of wealthy, heat vocals and the tender twangs that first pulled me in, and but now the deeper I dive into “Stranger,” the extra I can’t let go. The lead single off Money & Skye’s debut album Only a Stranger (independently launch right this moment) is a cathartic train in reflective reverie and creative restraint. Musically paying homage to the basic rock/Americana crossovers of the ‘70s, and but undeniably related to right this moment’s social and cultural local weather, “Stranger” is a product of the current, with one foot lovingly previously.
It’s “about the way you by no means know if you’re leaving or the place you’ve left as a result of there’s a fish on each aspect of you and also you’re useless middle of your faculty,” Henri Money – who type one-half of his duo with Sophia Skye – explains. “Realizing you’re dodging nets each day, all of the whereas remembering that at some point you’ll get caught. A aspect of you desires to really feel the splintered wooden of that ship’s deck only for a way of change. You’re smelly and you’ve got itchy scales you’ll be able to’t scratch, since you’ve received fins as a substitute of arms.”
The group’s lyrics evoke a way of isolation and craving – a want to really feel an ever-fleeting connection that too usually really feel out of attain. If solely we might break the limitations between us, to the purpose the place strangers turn out to be associates, and perhaps even one thing extra.
Standing alone
Within the rubbish line
I’m feeling misplaced
However she’s wanting nice
I’m only a stranger
Of the unattractive sort
Filth on my garments
Paint on my thumbs
I odor like musk
And im kinda dumb
And I wont speak
‘Trigger I don’t wanna waste your time
“I went to Goal at round 10:30 PM to seize an extension wire for the studio with Tim and Invoice, and the track thought got here to me whereas we have been ready in line,” Henri Money remembers. “We went again to our basement studio the following morning, and I sat on the drum package and sang, Tim was on upright bass, Invoice was enjoying acoustic, and I requested my dad to come back down and he performed some dobro, and we tracked this cool, gradual stay model to my Fostex 16 monitor.”
“I used to be listening to a whole lot of Jerry Jeff Walker and The Band on the time, and felt just like the track actually captured a few of that sort of power. However then the extra I listened, I assumed that it was truly a fairly cool track, and that it would get a complete new life to it if Sophia sang it. So we went again to the basement and I sat on the package. Tim picked up the Hofner bass, Invoice sat on the pedal metal, and we recorded a brand new model. I overdubbed some guitar and we received it feeling fairly good, then we waited a number of weeks for Sophia to get again from New York. Then we tracked our vocals over at 64 Sound, and it simply immediately felt prefer it was gonna be the primary single of the document.”
‘Trigger I’ve mentioned some phrases earlier than
I’ve tried actual onerous, simply to get ignored
I’ll be a stanger
At all times strolling on my own
I’ve received this track caught in my head
In regards to the ex-wife I want I had
I’ll be a stranger
Nobody will ever look my method
We’ve all been the stranger numerous occasions in our lives; it’s our lot in life to flicker by way of moments with names and faces we’ll by no means know, whose tales will without end be a thriller. “Stranger” captures that everlasting impermanence, whereas on the identical time recognizing the universality of that have – how there’ll without end be two halves to each coin that, just like the faces on bodily cash themselves, won’t ever see each other, and by no means know the opposite aspect even exists.
And to that I say, bravo.
Image him
Strolling in my sneakers
Most likely enjoying to attain
However he’s certain to unfastened
Wont must stroll
To know the ache I’m in
Since I used to be a boy
I’ve been at sea
I’ve been on their lonesome
Nobody however me
And I can’t inform you
However I assume I’m gonna strive
Trigger I’ve mentioned some phrases earlier than
I’ve tried actual onerous simply to get ignored
I’ll be a stanger
At all times strolling on my own
I’ve received this track caught in my head
‘Bout the ex-wife I want I had
I’ll be a stranger
Nobody will ever know my title
:: “Bounce the Gun” – Lola Wild ::
Danielle Holian, Galway, Eire
Lola Wild’s extremely anticipated new single “Bounce the Gun” gives a mesmerizing glimpse into her forthcoming EP, Misplaced Sign. A slow-burning ballad steeped in melancholy, the monitor echoes the heartbreak of unmet expectations and the emotional turbulence of impulsive choices. Infused with a shimmering 80s manufacturing aesthetic, the track is an ideal mix of nostalgia and modernity. Produced by Jim Wallis (Nonetheless Corners, Trendy Nature) at London’s legendary Strongroom Studios, “Bounce the Gun” transports listeners right into a dreamlike haze, with layers of reverb enveloping Wild’s hauntingly stunning vocals. It feels as if the track is being performed from a distant previous, with Wild’s confessional lyrics echoing by way of a neon-lit, empty room.
The track invitations introspection, exploring the fragile stability between self-awareness and the nervousness of ready for issues to go fallacious. At its core, “Bounce the Gun” is a candid exploration of Wild’s inside dialogue, capturing each her insecurities and the implications of appearing on impulse. With its thought-provoking themes and infectious power, the one is an ideal introduction to Lola Wild’s upcoming EP, showcasing her uncommon means to mix timeless influences together with her uniquely charming voice and imaginative and prescient.
:: “Guts” – Ellie Dixon ::
Mitch Mosk, Beacon, New York
English singer/songwriter Ellie Dixon has confirmed herself a singular, stunningly artistic presence lately, and she or he continues to reaffirm this fact in her newest single. Launched January 23rd, “Guts” marries the dramatic with the dreamy as Dixon reckons with previous and current identities, delving into herself with the power of a ten-tonne wrecking ball.
I used to be by no means a lot enjoyable
An excessive amount of and I’m accomplished
Working residence late
I’m leaping the gun
Was by no means a lot enjoyable
An excessive amount of and I’m
Da da da da accomplished
Want I had the center
Want I had the gall
Want that I used to be huge sturdy
Did all of it
However I’m just a little scared
I’m just a little small
Want I had the center
Want I had the center
Guess I’m empty that sucks
“‘Guts’ was born from a dialog I had with some associates who have been sharing tales from their teenage years,” she tells Atwood Journal. “As everybody advised tales of events and dates and rebellions I had nothing to contribute. As a nervous child I wasn’t going out, wasn’t courting, wasn’t having the identical kinds of adventures.”
“In that second, I noticed all of those experiences I had missed due to my nervousness, and I felt a welling of anger. ‘Guts’ is a therapeutic outlet for that anger. A celebration track for the individuals who weren’t on the events. A track to shout out loud for the individuals who didn’t shout.”
Cuz I used to be by no means a lot enjoyable
An excessive amount of and I’m accomplished
Working residence late
I’m leaping the gun
Was by no means a lot enjoyable
An excessive amount of and I’m
Da da da da accomplished
Any track that begins with the road, “I used to be by no means a lot enjoyable,” is certain to hit onerous, and “Guts” is an particularly risky sonic and emotional upheaval. Dixon’s confession opens right into a feverish sonic eruption, her delicate voice remodeling right into a singular, seductive volcano – a wellspring of internal warmth and uncooked, raucous fervor. Heavy drums churn, guitars roar, Dixon’s voice rages, and the entire track rushes with the burden and infinite power of a mighty waterfall: Relentless, wild, and unstoppable.
Intimate although it could be (with highly effective notes to self like, ‘I’m courageous for simply being right here’), “Guts” is really magnificent.
So I puff my chest out
Breathe the remainder out
Gained’t maintain my head down
That’s sufficient now
Adrenaline simply to take the bins out
Deafening
Overthink and spin out
So I’m not gonna try this any extra
Swimsuit of armour after I depart the entrance door
I can do that, I do that
Heal bruises, really feel rooted
I’m transferring
I’m not stuffed with guts
Made of various stuff
I’m not stuffed with guts
(I’m stuffed with creativeness)
Made of various stuff
(Please excuse my hesitation)
I’m courageous for simply being right here
:: “Not Every thing Ends” – Lilly Bedard ::
Danielle Holian, Galway, Eire
Lilly Bedard’s newest single “Not Every thing Ends” appears like a heat hug for anybody who’s ever feared love was fleeting. With a dreamy mix of folk-pop melodies and her signature poetic lyricism, Bedard delivers a monitor that’s as comforting as it’s cathartic. Her voice, wealthy with emotion, glides over delicate acoustic strumming, constructing right into a hovering realization: generally, love actually does final. The track’s heartfelt storytelling transforms doubt into hope, making it the proper anthem for anybody who’s discovered mild after heartbreak.
What makes “Not Every thing Ends” so particular is its quiet energy. It doesn’t depend on flashy manufacturing or over-the-top declarations – as a substitute, it attracts you in with uncooked honesty and an intimacy that lingers lengthy after the final notice fades. Bedard’s lyrics, like a whispered promise, remind us that love isn’t all the time about grand gestures; generally, it’s about merely being there. Whether or not you’re a hopeless romantic or a cautious optimist, this track is certain to hit you proper within the coronary heart.
:: “i like women” – younger good friend ::
Mitch Mosk, Beacon, New York
The catharsis tastes particularly candy and triumphant on younger good friend’s “i like women.” The most recent single off the artist’s upcoming debut album motorbike sound results, out April 4th by way of CLUBB/Nettwerk, finds singer/songwriter and producer Drew Tarves relishing in an area of self-confidence and self-knowing. It’s not each day we discover we’re precisely the place we wish to be in our lives; usually, we’re reaching in a single path or one other, craving or longing or wishing for this and that, to be on this or that place. The goalpost is all the time transferring and ever-shifting, however in “i like women,” the narrator is happy – pleased with their lot in life, full in who they’re and what they’ve.
I’ve been
Purposely seekin’ out dangerous associates
That gained’t be round when my life ends
They by no means stick up for me
And she or he’s been
Sleepin’ at my condominium
Askin’ what the road about stars meant
Honey I don’t f*ing know
“I’ve all the time considered ‘i like women’ because the sequel to ‘boyfriend materials,’ each thematically and sonically,” Tarves tells Atwood Journal. “It’s presupposed to be an anthem for these which can be simply having fun with their single lives. This character that I’m writing about is kind of celebrating the truth that he’s found out what he desires. He’s not prepared for a relationship, and ‘i like women’ is his second of discovery for this realization.”
She’s received don’t disturb on
I feel it’s turning me on
She seems so good on my plate
Possibly I simply want a style
Few issues are extra stunning, on this author’s opinion, than the sort of particular, smile-inducing self-discovery mirrored in younger good friend’s music and lyrics. Extra will come – it all the time does – however “i like women” is a second of serenity and calm within the ever-churning storm. It’s a stepping-back; a recognition that that is good, and we will be happy with who we’re and the way far we’ve come. Even when issues aren’t good, we’re allowed to present ourselves grace; to smile, to benefit from the experience, and to really feel genuinely completely happy about ourselves.
Props to Drew Tarves for taking that singular, usually fleeting feeling, and bringing it to life in track.
Intimacy at your own home
Freaking me all the best way out
Bought dangerous nervousness
I like women who assume identical to me
Used to love when life was straightforward
Now it sucks trigger somebody wants me
Caught up with the folks leasing
Cried wolf now she gained’t imagine me
No options for the shit that I did
No excuse for the shit that I mentioned
Fairly charmed life as a Canadian child
So I don’t understand how the voices
ever discovered their method in
She’s received don’t disturb on
I feel it’s turning me on
She seems so good on my plate
Possibly I simply want a style
— — — —
Hook up with us on
Fb, Twitter, Instagram
Uncover new music on Atwood Journal
:: Weekly Roundup ::
comply with WEEKLY ROUNDUP on Spotify
:: This Week’s Options ::
