Each Friday, Atwood Journal’s workers share what they’ve been listening to that week – a music, an album, an artist – no matter’s been having an affect on them, within the second.
This week’s weekly roundup options music by mgk, BOLD LOVE, Miranda del Sol, Superfan, Bobby Freemont, Child Rose, Wilby, Quinn XCII, Ivory Layne, BLACKPINK, Gina Zo, Bones Shredder, Grownup Leisure, Katzù Oso, ZADA, Nierra Creek, Quaking Aspens, Adam Spry, & Mezanmi!
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comply with WEEKLY ROUNDUP on Spotify 
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:: “miss sunshine” – mgk ::
Bárbara Martínez Campuzano, Mexico
The “My Ex’s Finest Pal” singer has launched a 3rd glimpse of his upcoming album, titled Misplaced Americana. This new, uncommon music is one to play on the highway, totally different from the same old pop-punk, rock, and hip-hop mix: this time, he’s turned to indie-pop with a southern rock ring. The monitor evokes nostalgia and confusion; even on the highway, there could also be no clear vacation spot, nevertheless it’s all certainly an advanced journey. mgk talks about dangerous selections, one thing he’s completed regularly by his songs, and about transferring from place to put though there’s no understanding the place he’ll find yourself.
“miss sunshine” is probably essentially the most light music amongst mgk’s current releases. Whereas “cliché” and “vampire diaries” are extra inclined to rock and pop-punk, “miss sunshine” is a delicate, heartfelt indie ballad. Even with a rap to pop-punk and rock transition, this new launch is a sign that mgk is able to shifting genres as soon as extra. Although that is still to be seen, as mgk sings, we “may as properly benefit from the trip.”
:: LOOK! I’m Alive – Quinn XCII ::
Eric Schuster, Los Angeles
Quinn XCII is again! The veteran singer/songwriter launched his most mature album thus far with LOOK! I’m Alive, and a few fairly candy merchandise to associate with it. My pal despatched me the album hyperlink and I put it on as I used to be driving residence from the seaside. My goodness. It felt euphoric. No higher soundtrack for sunset-cruising down Venice Blvd on a heat summer time night.
The album opens with “Olive Tree,” a mild love music that completely units the tone for the mission. The accompanying music video options Quinn dancing and strumming his acoustic guitar in nature, completely encapsulating the album’s earthy, celebratory vibe. LOOK! I’m Alive doesn’t lose any steam because it progresses, every music providing its personal distinctive sound however grounded within the theme of pleasure, reflection and renewal.
:: “Really feel You Shut” – BOLD LOVE ::
Mitch Mosk, Beacon, New York
The shimmer of warmth on pavement. The hush of a room proper earlier than somebody speaks. BOLD LOVE’s “Really feel You Shut” captures that uncommon type of stillness – not silence, however presence – the place emotion hangs heavy within the air, and each breath seems like reminiscence. Slippery and suave, the Dublin sextet’s sixth (and newest) single glides on sultry guitars and candy, glowing synths, with Cian Ó’Maonlaí’s dreamy lead vocal coalescing into radiant harmonies that evoke intimacy, loss, and connection abruptly. It’s a seductive summer time day manifest in music – golden, aching, and completely irresistible.
“‘Really feel You Shut’ was one of many first tracks we wrote for our debut EP,” Ó’Maonlaí – who performs along with Jack Cody (guitar/vocals), Megan Nic Ruairí (vocals/keys), Dan Aherne (bass), Anton Shovlin (drums), and Adam Curtis (lead guitar) – shares. “The writing began for me with the road, ‘We must always have seen it coming.’ Jack introduced the construction and the principle guitar hook, and I simply saved repeating that line. It introduced ahead a reminiscence that’s actually near the floor and that type of sparked the place the music was headed in my thoughts.”
He continues, “The second you study of the demise of somebody you’re keen on is extremely highly effective. It leaves a mark. That reminiscence stays crystal clear, the despair you’re feeling, but additionally the love and connection between you and the individuals round you. I really feel just like the room itself carries the burden of that second. That’s one thing I needed to dig into, the best way an area can inform you one thing’s unsuitable earlier than anybody even speaks. The refrain was the final a part of the music to return. I needed it to really feel uplifting, in distinction to the verses. I needed it to mirror a celebration of somebody’s life, how they reside on within the individuals they depart behind. We’re actually excited in regards to the route it has introduced us and we’re so buzzed it’s out.”
With every new launch, BOLD LOVE proceed to increase their signature widescreen indie pop sound, bringing emotional depth and rock dynamism to the forefront. Recorded with Richie Kennedy (Interpol, Celeste, White Lies), “Really feel You Shut” builds on the momentum of 2025 singles “Speaking & Drifting” and “I’m House,” and marks yet one more beautiful step towards their upcoming debut EP. If this monitor is any indication, the Dublin newcomers are properly on their approach to changing into considered one of Eire’s most fun musical exports – and deservedly so.
:: “so in looove” – Miranda del Sol ::
Josh Weiner, Washington DC
Of Cuban-Argentinian heritage, Miranda del Sol grew up in Miami however has been based mostly in New York Metropolis since 2019, when she ventured up north to check music in NYU. Since graduating, Miranda has labored as a copywriting assistant and in addition begun formally publishing a number of of her personal songs. The most recent of those, “so in looove,” is anchored by a refrain that options the title sung repeatedly and verses that elaborate on stated sentiment (“I’m dizzy with need” and “I do know it isn’t wholesome however I allow you to overwhelm me,” for example).
It’s a easy however efficient idea, bolstered by a young R&B/Latin pop instrumental that demonstrates Miranda honoring her geographic heritage. “I needed it to really feel like the within of my thoughts once I realized they weren’t coming again,” she says of the music’s idea. “There’s magnificence and devastation abruptly.” It’ll be nice to see what extra this proficient younger songstress has in retailer for us as soon as her debut EP, that includes “so in looove,” arrives in a while this summer time.
:: “Miss W Jones” – Superfan ::
Mitch Mosk, Beacon, New York
With unfiltered, unflinching lyrics and a vocal recording so susceptible and close-miked it would as properly be right here within the room, Superfan’s “Miss W Jones” immediately stopped me in my tracks with a hushed breath and a flutter within the chest. It’s dreamy and aching, intimate and mysterious, crammed with the type of uncooked different angst that comes from telling the reality, wholly and unapologetically. The most recent single from Superfan, the songwriting mission of 20-year-old composer Kali Flanagan, finds consolation in a reputation, in an individual, in a fleeting second of heat throughout an extended, unforgiving New York winter. What begins as a quiet unraveling swells into one thing haunting and heavy, with brash drums, deep guitar tremors, and Omeed Almassi’s cello churning from the within out – not simply carrying emotion, however channeling it. It’s soul-spilling in movement, a music that holds your hand and breaks your coronary heart on the identical time.
“‘Miss W Jones’ is a music I wrote about discovering consolation in friendship amidst the ebbs of loneliness one experiences all through a New York winter,” Flanagan shares. His wealthy, tender, emotionally charged voice soars over a mattress of distorted acoustic guitar and cello suggestions, additional electrified by brush-played drums that keep intimacy amidst affect and tasteful dissonance. That rigidity – between closeness and alienation, softness and churn – is what offers this music its endurance. Even at its loudest, it by no means loses its vulnerability.
Flanagan’s story is considered one of transformation, reclamation, and redefinition. After years of indie pop success underneath the title KALI, he emerged as Superfan with a sharpened voice and a clearer imaginative and prescient, exchanging radio-ready synth hooks for poetry, dissonance, and deeply tuned acoustics. With one foot in DIY areas and one other sharing levels with Julian Casablancas and bar italia, Superfan’s sound is a component noise-folk elegy, half orchestral post-punk, half one thing fully his personal. And in “Miss W Jones,” you’re feeling all of it – the historical past, the ache, the necessity to maintain on to somebody who makes the chilly months bearable.
:: “someplace by a lake” – Bobby Freemont ::
Danielle Holian, Galway, Eire
Tright here’s a weightless melancholy working by Bobby Freemont’s “Someplace by a Lake,” a music that doesn’t ask to be heard a lot because it gently insists. The rising indie artist peels again his internal world in essentially the most unassuming approach, crafting a monitor that feels extra like a late-night dialog than a bit of studio-polished pop. Rooted within the quiet craving to flee the noise of contemporary life, the one walks the road between solitude and give up with poetic grace.
It’s the form of launch that thrives in stillness. Freemont’s hushed vocal supply lingers over sparse, soulful instrumentation, guitars wash like shoreline waves whereas refined keys flicker within the background, including a textural intimacy to the soundscape. With seasoned songwriter Nick Ferraro within the combine, the music breathes with maturity, but by no means strays from Freemont’s signature vulnerability. You hear the years it took to jot down this, and extra importantly, you’re feeling them.
As a precursor to his debut album, The Loss of life of Bobby Freemont, this single doesn’t chase the highlight; it creates its personal quiet orbit. It’s confessional with out being performative, exact with out being medical. In a cultural second dominated by hyper-produced narratives and fixed noise, “Someplace by a Lake” is a uncommon act of emotional readability, each a retreat and a reckoning. Bobby Freemont isn’t simply telling his story. He’s inviting you to seek out your individual inside it.
:: “That’s All” – Child Rose ::
Ankita Bhanot, Bay Space, California
Baby Rose’s signature smoky, soulful, and raspy vocals are simply recognizable on any music she’s featured on – collaborating with the likes of J. Cole, Smino, and BADBADNOTGOOD – clearly emblematic of at present’s R&B, but additionally paying homage to a a lot older, seasoned soul singer of the ’70s.
Her honeyed, deep contralto timber powerfully carries by her deeply advanced narratives about love and heartbreak. I not too long ago heard her performing within the movie The Materialists – posing as a marriage singer, performing an authentic music that’s additionally featured on the movie’s soundtrack – and was extremely captivated, the music repeatedly reverberating in my head lengthy after I had left the theater. The lyrics emphasize the simplicity and sincerity of her love, providing her unwavering devotion; “If you happen to’re wondеring what I’m asking in return, expensive / You’ll be glad to know that my dеmands are small / Say it’s me that you simply’ll adore / For now and ever extra / That’s all, that’s all.”
In her 2020 album To Myself, she’ll describe the repeatedly explored subject in regards to the feeling of falling in love. However her songs additionally go a layer deeper, describing the push and pull between desirous to be held and wanting to interrupt free; loving the solace and peace you discover in one other individual, whereas concurrently holding on to the sentiments It’s a sentiment many people have felt, and Child Rose is ready to seize these emotional paradoxes with nuance, honesty, and intelligence.
:: “Pleaser” – Wilby ::
Mitch Mosk, Beacon, New York
Tright here’s one thing inherently charming a couple of music that sounds prefer it’s teetering on the sting – of a breakdown, of a breakthrough, of understanding. Wilby’s “Pleaser” walks that line with hearth in its stomach and grit in its tooth. The Nashville-based artist (née Maria Crawford) has by no means sounded extra charged: Her voice threads between tenderness and rigidity, psychoanalyzing a relationship in actual time because the dry churn of overdriven guitars lends a visceral, stressed power. It’s ragged and uncooked in all the proper methods – a sluggish burn that scorches on affect.
“‘Pleaser’ got here from a spot of understanding the roles/dynamics of my relationship with my associate,” Wilby explains. “We’d been going to remedy collectively for a number of years, and one session I had this second the place I felt I actually noticed him, fears/wounds/insecurities, for the primary time. It made me admire his motivations for getting his wants met whereas additionally seeing methods I used to be attempting to satisfy mine.”
She continues, “I believe most {couples} have reverse attachment types, and it could possibly get messy; you possibly can reap the benefits of one another. I believe I noticed how my very own unhealth perpetuated his, how my avoidance introduced out his anxiousness, and so forth. ‘Pleaser’ is much less about romanticizing somebody who would do something for you and extra about mutual belief, vulnerability, and seen-ness.”
A longtime Atwood Journal artist-to-watch, Wilby is entering into her prime in actual time. From her early days as folks artist “Mar” to her current, unapologetic and unfiltered indie rock persona, Wilby’s evolution has been marked by fearless honesty and an ever-growing sonic confidence. With its jagged instrumentation and gut-punch lyrics, “Pleaser” is a standout second off her upcoming debut album Heart of Affection (out October 10 through Hit The North Data) – a file born of morning pages and emotional excavation, the place intimacy and introspection collide. That is indie rock at its most susceptible and volcanic, and Wilby’s simply getting began.
:: Half Time Jobs Close to Me – Ivory Layne ::
Julius Robinson, California
Indie artist Ivory Layne’s high-energy pop EP, Half Time Jobs Close to Me, written and produced on her personal, delivers a fierce and spirited chronicle of a younger lady combating to flee the confines of outdated norms. She’s constructed an EP that walks the wonderful line between chasing what might be and confronting what’s. The file opens with “MEHTROPOLIS,” a monitor coping with the tough actuality behind the music business. The bouncing beat and hard-hitting vocals make this monitor a potent and highly effective providing. Then there’s the colourful and shimmery “MISS GRAVITY.” The susceptible launch creates a placing depiction of the hole between aspirations and the present actuality. “ASMR,” the centerpiece of the EP, is Layne’s anthem for indie artists who’ve sacrificed all the things for his or her artwork, solely to be met with meager rewards. The distinct sound paired with the passionate vocals creates an expertise paying homage to ASMR.
After spending greater than ten years making music in Nashville, Layne returned to her roots in North Carolina on the finish of 2024 to completely embrace her path as an impartial artist. Again residence, she revisited demos begun in Music Metropolis, growing them in a makeshift studio arrange in what was once her father’s workplace. She has all the time been a tough employee, tirelessly devoted to her craft. Layne says the EP’s title got here collectively organically: “For the final a number of years, outdoors jobs turned my lifeline to reside whereas making music. The EP’s title was a Google search I used numerous occasions through the course of – I’d work on the songs through the day and seek for jobs on-line at night time.”
:: 뛰어 (“Leap”) – BLACKPINK ::
Cassandra Fong, United Kingdom
BLACKPINK’s “JUMP” is undeniably a daring and impressive monitor that pushes the group’s regular boundaries, mixing genres like hardstyle, dance-pop, European techno, and EDM right into a high-octane soundscape. Crafted by an eclectic staff of writers – together with Teddy, Diplo, 24, Zikai, Claudia Valentina, Jumpa, Malachiii, and Jesse Bluu – and produced by a equally numerous lineup, the music ventures into territory each acquainted and uncharted. Its cinematic guitar riff on the outset units a vivid tone, hinting at a story that’s grand and maybe just a bit chaotic.
The monitor’s relentless power and pulsating beats create an environment that’s exhausting to disregard – whether or not for its infectiousness or its chaotic promise of liberation. The lyrics, centered round themes of sisterhood, confidence, and the joys of the night time, oscillate between empowerment and one thing extra ambiguous – teetering on the sting of celebration and insurrection. Rosé and Jisoo’s traces evoke vulnerability beneath the high-energy exterior, whereas Jennie and Lisa’s rallying cries to leap and dance appear to ask each escape and confrontation. The refrain’s repetitive hook – “run up, uh, soar” – might be seen as an irresistible name to motion or maybe a hypnotic entice, relying on the way you hear. Vocally, BLACKPINK’s members ship with a mixture of angle and refined nuance, their efficiency driving a wonderful line between fierce confidence and playful defiance. There’s a sure ambiguity within the tone – whether or not it’s a celebration of freedom or an acknowledgment of the chaos that comes with it. The music’s layered message appears to ask a number of interpretations: is it an anthem of empowerment, or does it revel within the wild unpredictability of nights that blur boundaries? Or maybe each.
Ultimately, Leap leaves extra questions than solutions. Its energetic push may encourage listeners to bop their emotions out or make them query what’s actual beneath the floor. Whether or not one finds it exhilarating or overwhelming, it’s exhausting to disclaim that the music leaves a lingering sense of ambiguity – an invite to leap into the unknown, no matter which may imply.
:: “Solely Dangerous Males Make Me Really feel This Approach” – Gina Zo ::
Chloe Robinson, California
Gina Zo’s syrupy pop-folk single “Solely Dangerous Males Make Me Really feel This Approach” shows deeply profound lyrics and clear emotional expression. The music narrates the ups and downs of newfound freedom after a breakup once you acknowledge you’re stronger alone, however nonetheless really feel the ache of what was misplaced. Taking acoustic guitar and fusing it with luminous synth atmospheres, this easy but compelling backdrop actually brings the piece to life. The music video showcases the consequences of a poisonous romance and simply how dangerous it may be.
Zo, a vibrant vocalist initially from Philadelphia’s suburbs and now making her mark in Los Angeles, is greater than only a singer-songwriter, she’s an emblem of honesty and energy in each music and efficiency. By proudly embracing her bisexuality in her 2023 monitor “Faking It,” Zo has turned her experiences right into a significant anthem for the LGBTQIA+ neighborhood, illustrating embracing your true id and difficult societal expectations. That music carries nice energy, and this new launch resonates with equal pressure.
:: “Sky Is Falling” – Bones Shredder ::
Mitch Mosk, Beacon, New York
Bones Shredder’s “Sky Is Falling” may simply be daylight manifest in sound – however spend an excessive amount of time basking in it, and also you’ll really feel the burn. A slice of infectious, feel-good alt-rock with a deeper ache rippling beneath the floor, this monitor pairs hovering power-pop guitars and Lucy Giles’ ethereal harmonies with Randy Moore’s unmistakable knack for bittersweet hooks. It’s shiny and effervescent – virtually begging to be blasted on a summer time drive – however hear intently and also you’ll hear a soul processing chaos, gratitude, and alter in actual time. A love music to the individuals who catch you once you’re falling, with a refined sting baked into each glistening chord.
“I completed writing ‘Sky Is Falling’ proper after I demoed out the final single, ‘Daylight,’” Moore shares. “I used to be feeling actually good about so many issues in my life at that second. It felt like I used to be lastly reaching some peace after the chaotic yr I simply had – feeling grateful for the entire individuals who had supported me whereas I used to be going by the craziest time in my life thus far. Grateful for my household, my associate, and my pals for conserving me so grounded whereas the sky was falling.”
It’s the most recent single off Morbid Little Factor, Bones Shredder’s upcoming debut album (out September 19 through Sunken Enamel Data). The San Jose mission is the solo automobile of Randy Moore – a longtime sideman for Dan Andriano and Matt Skiba, now entering into his personal highlight with grit, wit, and a wholesome dose of horror-tinged attraction. Fueled by chunky guitars and basic AM pop sensibilities, Bones Shredder’s music nods to Fountains of Wayne, Ozma, and early Weezer, nevertheless it’s Moore’s perspective – each tongue-in-cheek and heart-on-sleeve – that makes Morbid Little Factor so compelling. “Sky Is Falling” is an ideal entry level: Punchy, poignant, and endlessly replayable.
:: “A Girl Like You”- Katzù Oso ::
Julius Robinson, California
Los Angeles native Katzù Oso showcases an intimate new single. Titled “A Girl Like You,” the piece is a delicate reflection on the braveness it takes to be susceptible with a associate. His heat, luscious vocals glide over a fragile, glistening backdrop for the last word intoxicating monitor. With soothing sounds evoking vibes of acts like Chicano Batman, the second he begins singing you might be immediately drawn in.
Katzù Oso, a Chicano artist rooted within the streets of East LA and Boyle Heights, channels his cultural heritage into dreamy melodies and trendy soundscapes. With the success of his EPs Color and Pastel, he now expands his sonic palette, transporting listeners to a brand new dimension along with his debut full-length album, Tmí. Oso’s album maps out his private evolution, providing an audible journey by the youth he spent in Boyle Heights. This mission is infused with immense coronary heart, and ‘A Girl Like You’ actually captures that real ardour.
:: “The Guidelines” – Grownup Leisure ::
Mitch Mosk, Beacon, New York
Adult Leisure’s “The Guidelines” may sound prefer it belongs on the soundtrack to an ’80s breakup scene – rain on the windshield, neon flickering in a motel mirror – nevertheless it doesn’t simply brood for aesthetic. It burns. Anchored by a looping, invigorating guitar riff and dropped at life by dueling vocals from Neil Scott and Jess Chivers, this cinematic alt-rock anthem aches with fact. It’s dramatic and devastating, however in essentially the most satisfying approach – a churn of resentment, remorse, and recognition that builds to a refrain as uncooked as it’s addictive. You possibly can really feel the bitterness. You possibly can dance by it anyway.
“‘The Guidelines’ is our ode to the basic duets of the ‘70s and ‘80s,” the band clarify. “As with most of our songs, we attempt to discover the much less engaging elements of relationships. I believe in a world stuffed with plastic romanticism and insincere love songs, we wish to deal with the realism of affection. Generally relationships are exhausting, and typically you find yourself resenting that individual; you change into petty and begin selecting on the individual you’re supposed to like and take care of. I believe that is one thing all of us share; we prefer to see ourselves pretty much as good individuals, however we’re all sadly able to being merciless.”
“We’re all lovers of older music, and I believe, unintentionally, this was our homage to ‘Islands within the Stream,’ albeit with a way more bitter and jilted view of affection and relationships. We obtained our pal Jess Chivers to sing the counter half, and we beloved how the vocal types between Neil and Jess simply labored.”
“The verses of the music are an apology for being flawed (as all of us are), the pre-choruses then lean into the restoration and transferring on from the connection, whereas the refrain is an out-and-out argument. It’s pettiness and frustration in full, every hurling their anger at one another, with irony being that they’re singing the identical factor; it reveals a complete lack of listening or understanding, and that that is properly and actually completed.”
Following standout competition units and a string of buzzy singles, “The Guidelines” is the most recent style of The Issues You Don’t Know But, Grownup Leisure’s long-awaited debut album out October 3rd. Recorded with Ollie Searle and mastered by John Webber (David Bowie, Coach Occasion), it finds the Bristol quartet leaning absolutely into their emotive, neon-soaked indie-rock sound – one which exists fully outdoors of time. If this music is any indication, their full-length goes to harm so good.
:: “Entry Denied” – ZADA ::
Josh Weiner, Washington DC
Scarcely a yr faraway from the discharge of her debut album, Water within the Desert, ZADA has been conserving the early profession momentum going sturdy with a flurry of latest singles launched throughout 2025. Considered one of her most energetic and infectious works of hers but arrives within the type of “Entry Denied,” which options an completely pulsating beat expertly manufactured by ZADA’s longtime collaborators Chin Injeti and Brian West. The lyrics, which the three of all of them shared a job in crafting, detailing ZADA regaining management in a state of affairs with an ex-flame which, let’s simply say, “made oil and water appear to be paradise.” Her message to this fella now could be: “You possibly can’t keep in my coronary heart like a stowaway… It’s in your head. Don’t fantasize. It’s as much as me ’trigger I resolve.”
“I needed the lyrics to be very straight ahead… A+B=C. This didn’t work, I discovered a lesson, and I’m transferring on,” says ZADA, who’s initially from Ethiopia and now a resident of Whistler, British Columbia. It’s little question cathartic for her to craft a music of this nature, however she additionally hopes that her listeners will be capable to share that very same feeling of success. “I need listeners to really feel like they’ll discover themselves throughout the music,” she says. “I’m speaking about coping with self-confidence, energy, and creating boundaries – one thing all of us need a greater deal with on.”
:: Folklore Vol. 2 – Compilation through Folklore Data ::
Danielle Holian, Galway, Eire
Folklore Vol. 2 is a luminous showcase of the place up to date folks is headed, not backwards into nostalgia, however ahead into textured, emotionally nuanced soundscapes. Launched through Folklore Data, the compilation brings collectively 4 rising artists who every contribute a singular voice to a collective entire that feels deeply cohesive but splendidly numerous. From the lo-fi, indie-rock magnificence of Nierra Creek’s “Burn Out The Hearth” to the intimate psychedelia of Quaking Aspens’ “Flume,” this second quantity builds on the groundwork laid by its predecessor with a sharper, extra cinematic edge. Every monitor seems like a world unto itself, layered, introspective, and resonant with each private and common longing.
The place Vol. 1 launched listeners to the soul of Folklore, Vol. 2 expands its emotional and sonic terrain. Adam Spry’s “Tangled” brings West Coast vulnerability wrapped in analogue heat, a DIY gem that lingers with quiet energy. In the meantime, Mezanmi (previously Ajimal) delivers the beautiful nearer “This Time Yesterday,” a haunting slow-build produced by Grammy-winner Man Massey, that crescendos with orchestral magnificence and uncooked, aching intimacy. What unites these tracks isn’t style, however intention, a shared dedication to truth-telling by sound. Folklore Data, based by Brighton’s Jacko Hooper, continues to show it’s greater than a label; it’s a refuge for songwriters with depth, and Vol. 2 is its most compelling argument but.
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