When Hiram Torres raps, he cuts by means of the smoke and lets the business choke on the fumes. With ‘Satan’s Work’, the ultimate single from his upcoming EP Otay Mesa, Torres tightens his grip on hyper-rap’s pulse, tearing aside the hole bravado that fuels hip-hop’s most uninspired voices.
Torres produces as viciously as he spits, guaranteeing the roaring bass and chopped-up samples just do as a lot harm as his no-prisoners lyricism. The unrelenting momentum is a wrecking ball swung on the mediocrity he’s been compelled to witness within the Los Angeles music scene. From talentless hopefuls who ought to have picked a commerce to the cesspool of pay-to-play promoters, he makes it clear: he’s sick of the sport, however too in love with hip-hop to stroll away.
At its core, ‘Satan’s Work’ isn’t only a takedown; it’s an unfiltered account of what it means to combat for credibility in a tradition that’s been diluted past recognition. The bluesy rock-infused center eight pushes the monitor into surprising but seamlessly executed terrain, echoing That Good-looking Satan whereas proving that Torres isn’t sure by conference. If honesty is the satan’s work, Torres is more than pleased to be hell’s mouthpiece.
‘Satan’s Work’ is now out there to stream on all main platforms, together with Spotify.
Evaluation by Amelia Vandergast
