1.) You’ve attended Coachella many instances. As its that point of 12 months once more, how has the competition influenced you?
Coachella is an unbelievable occasion of creativity and expression. Each time I’ve gone, I’ve come away with one thing new. Whether or not it’s an artist’s efficiency or simply the general vibe of the competition, it’s inspiring to see so many various kinds of music and artwork come collectively in a single place.
2.) We have been very touched by your current tune “Lord Give Me The Rain.” How did the fires in Los Angeles affect the tune and why is Los Angeles so private to you?
The LA wildfires have been a turning level for me. I felt helpless but additionally impressed to make use of my music as a type of expression. I discovered a Hungarian prayer and channeled my grief right into a symbolic prayer for renewal. The tune is a name for therapeutic, not only for the atmosphere, but additionally for the emotional scars all of us face. As for Los Angeles, I recorded my album Keep and filmed the music video alongside the Pacific Coast Freeway. It’s a really particular place to me.
3.) “For You” feels extremely private. What’s the story behind that tune?
It’s about reclaiming your peace. I wrote it after realizing that giving all of your self to somebody doesn’t all the time imply they’ll maintain it with care. It’s a boundary tune. It’s comfortable, but additionally fierce in its message. Generally the bravest factor you are able to do is say “no extra” in a mild voice.
4) Your album ‘Keep’ is extremely intimate but numerous sonically. What was your imaginative and prescient when placing it collectively?
The album got here from grief. I misplaced my father, and I didn’t know find out how to course of it—so I sat with my emotions. ‘Keep’ is about sitting with disappointment, with magnificence, with love. I labored with completely different producers throughout Europe and the U.S., which is why the sounds are so various. However at its core, it’s all about staying linked to what’s actual.
5.) You’ve labored with some wonderful DJs and producers—are you able to speak about that, and do you need to proceed that collaboration sooner or later?
Positively. I really like collaborating with DJs as a result of they convey a unique type of self-discipline to a monitor—one which’s rooted in rhythm, vitality, and house. I’ve labored with just a few who’ve actually helped me reimagine how my voice can stay in a extra digital or dance-oriented world. I’d like to proceed down that path, particularly with stay remix units. I feel there’s an exquisite intersection between singer-songwriter vulnerability and digital elevation, and I need to preserve exploring that.
6.) Your tune “Hey Granny” touches on themes of household and legacy. What impressed this monitor?
I wrote “Hey Granny” as a approach of holding onto the knowledge that got here earlier than me. It’s a tune for anybody who feels the presence of their ancestors in moments of silence. There’s a lot energy in our roots—generally we simply have to be reminded that we come from love.
7.) “Mexico” has been described as an empowering journey. Are you able to share the story behind it?
“Mexico” is about escaping the model of your self that not matches. I wrote it after a time after I felt caught—creatively, emotionally. That journey turned symbolic. It was much less concerning the vacation spot and extra about permission to rediscover who I might be.
8.) You’ve carried out in some iconic venues in LA. How has performing stay formed your relationship together with your viewers?
Dwell reveals remind me that music is a two-way dialog. While you see somebody within the entrance row singing your lyrics again to you, one thing shifts. It’s not about perfection anymore. It’s about presence. I’ve realized to belief the second extra due to that.
9.) Do your Hungarian roots ever make their approach into your sound or lyrics?
Completely. Even after I write in English, there’s a rhythm and melancholy in the way in which I phrase issues—that comes from Hungarian people and language. I additionally love bringing that refined darkness into brilliant melodies. It’s like a secret undercurrent.
10.) As somebody who writes about therapeutic, how do you personally handle artistic burnout?
I don’t battle it anymore. If I’m burned out, I let myself relaxation. I am going for lengthy walks with out music. I take heed to silence. Generally I write letters I by no means ship. Generally I simply breathe. I’ve realized that one of the best songs come after I cease chasing them.
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