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50% Off the Final Nice Indie Rock Print Journal – A Household-Run Labor of Love Since 2001 | Below the Radar



First identified picture of me and Wendy, in 2000; a yr later the primary concern of Below the Radar was launched.

50% Off the Final Nice Indie Rock Print Journal – A Household-Run Labor of Love Since 2001

Get 50% Off Subscriptions and Again Points

Might 24, 2025


Whereas most music magazines have both shut down or pivoted to digital-only, Below the Radar remains to be right here—nonetheless in print, nonetheless 100% unbiased, and nonetheless run by the identical husband-and-wife crew who began all of it again in 2001.

Proper now, you will get a four-issue print subscription for 50% off—simply $9.99 for the U.S. (solely $2.49 every vs. $7.99 on the newsstand) utilizing promo code UTR202550.

All again points are additionally 50% off with code UTRBACK50.

Canadian four-issue subscriptions are additionally 50% off, solely $14.49 vs. the standard $29.99.

Worldwide four-issue subscriptions are 50% as properly, now $23.49 vs. the standard $46.99.

All eight-issue subscription choices (U.S., Canadian, worldwide) are 40% off with code UTR202540.

Based by music author Mark Redfern (that’s me) and photographer Wendy Lynch Redfern, Below the Radar started as a black & white zine distributed round Los Angeles. Wendy and I met and fell in love in December 2020 and a yr later our first concern was born. Over twenty years later, it’s nonetheless run by the identical couple—we’re now married with a daughter (Rose, at present 12), residing in Virginia, and nonetheless placing out print points that includes authentic images, passionate journalism, and a deep love of indie music.

We’ve weathered the collapse of Borders Books (which worn out half our distribution), the loss of life of conventional print promoting, and extra, however by no means overlooked what made us begin this journal: a perception within the energy of nice music and significant journalism.

We had been the primary nationwide print journal to interview Vampire Weekend and Fleet Foxes, the primary U.S. outlet to speak to Moist Leg and The Final Dinner Celebration, and early champions of now-beloved artists like Charli XCX (on our cowl in 2013, 11 years earlier than Brat). We helped outline the indie growth of the 2000s—that includes Dying Cab for Cutie, Shiny Eyes, Interpol, The Nationwide, TV on the Radio, Yeah Yeah Yeahs, and plenty of extra—and have additionally interviewed older legends like Brian Wilson, Yoko Ono, Peter Gabriel, New Order, and Depeche Mode. We had been additionally the final journal to interview and {photograph} Elliott Smith earlier than his tragic loss of life.

And we’ve carried out all of it with out company backing or billionaire buyers.

We’ve outlasted most of our print-era friends not as a result of we had the deepest pockets or the largest workers, however as a result of we’ve saved it private. As a result of we care. As a result of we consider music journalism must be pushed by coronary heart, not algorithms.

If you would like a deeper take a look at how Below the Radar survived the final 20+ years—by means of births, deaths, cross-country strikes, and a quickly altering media panorama—learn our behind-the-scenes secret origin story, written for our twentieth Anniversary Concern in 2021.

Wendyand me at the Hillside Festival in Guelph, Canada in 2005 for our O Canada Issue. (Self-Portrait)
Wendy and me on the Hillside Pageant in Guelph, Canada in 2005 for our O Canada Concern. (Self-Portrait)
Wendy and our daughter Rose with Thurston Moore of Sonic Youth in London, England in 2016 during a Protest issue photo shoot. (Photo by Mark Redfern)
Wendy and our daughter Rose with Thurston Moore of Sonic Youth in London, England in 2016 throughout a Protest concern picture shoot. (Photograph by Mark Redfern)
Our daughter Rose with Future Islands in Charlottesville, VA in 2014 during a cover photo shoot. (Photo by Wendy Lynch Redfern)
Our daughter Rose with Future Islands in Charlottesville, VA in 2014 throughout a canopy picture shoot. (Photograph by Wendy Lynch Redfern)

Every concern of Below the Radar contains:

  • 20–30 in-depth interviews
    Our subsequent concern—Concern 75—is a sequel to our fan-favorite ’90s Concern, that includes brand-new interviews with the artists, filmmakers, and creatives behind a number of the decade’s most iconic music, movie, and TV.

  • 20–50 album critiques
  • A downloadable MP3 sampler of as much as 40 new tracks
  • Authentic images—much less inventory photos or label promos
  • Unique options that usually keep in print months earlier than going surfing

We’re aiming to enroll 500 new subscribers earlier than it goes to press this summer time. If you happen to worth considerate music journalism, if you happen to miss flipping by means of a fantastically designed print journal, or if you happen to merely need to help a passionate, family-run publication—that is the time to subscribe.

Print’s not useless. Nevertheless it does want your assist.

Assist Below the Radar—the final nice American indie rock print journal—and save 50% at the moment.

Wendy and me in the hallway of our Los Angeles, CA apartment building where we started Under the Radar, early 2000s. (Self-Portrait)
Wendy and me within the hallway of our Los Angeles, CA house constructing the place we began Below the Radar, early 2000s. (Self-Portrait)
Elliott Smith in Los Angeles, CA in 2003. (Photo by Wendy Lynch Redfern)
Elliott Smith in Los Angeles, CA in 2003. (Photograph by Wendy Lynch Redfern)

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